Word: quodlibets
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Dates: during 1960-1969
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...dramatic intention of each composition. The performers were most successful in the movingSong of Simeon, in which a baroque solo choir in the balcony sings a text different from that of the main choir, symbolizing in Schutz's words "the joy of the blessed souls in heaven." TheGloria, a quodlibet of Lutheran chorale melodies was precisely thought out and excellently proportioned among the voices. As for the seven soloists, the men were more distinguished than the women in regard to vocal blend if not phrasing, with Daniel Collins, the countertenor, David Evitts, the baritone, and Mark Pearson, the bass-baritone...
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