Word: quotidian
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...coward or a hypochondriac so much, with respect anyway to risks of certain orders. I've taken on a bully or two, in my professional capacity, and on occasions of another sort risked my physical self. But this buying of a gun, this simple, in some ways quotidian purchase, is the most extreme, the worst, most extremest, I can't find the word for it, thing I've ever done...
...going gets technical at times. Burgess assumes, for example, that most of his readers will recognize the "mystic chord" of Scriabin when they see it on a staff. But he writes with his usual quirky vigor and never loses sight of the quotidian world in which mystic chords get written: glossing one of his own scores, he recalls such details of its composition as "a particular face on television, a stab of heartburn, the cat licking my toes." Those who persist through the occasional thickets of crotchets and quavers will find in this little book the middle C of Anthony...
...purposes it is the perfect finish to a masterly film, at once superbly intelligent and strangely poignant. He employed the same ironic device in A Special Day (1977), in which Mussolini held a giant rally for Hitler in the background, while Mastroianni and Sophia Loren coped with the quotidian in the foreground. But La Nuit de Varennes is a much richer film. In Day the protagonists virtually ignored the great events moving around them. In Varennes they are relentlessly articulate in expressing views about them, ranging from right to left with a splendid detour for Casanova's apolitical self...
...MOONLIGHTING, POLISH DIRECTOR Jerzy Skolimkowski distills from the quotidian black-and-white headlines of political upheaval a pure narrow gray band of personal experience. The subject--four Poles stranded in London during the imposition of martial law naturally invites an impassioned ideological treatment, but Skolimkowski's film is, on the surface, politically devoid. Instead we are given nearly flawless meditation on exile from an interior perspective...
...lived happily, happily, happily, happily." Only the tin-eared could miss the irony of that description. Cheever's people are imprisoned, often comically, by their station wagons and swimming pools and leafy estates. The constant issue in his fiction is not the disposition of wealth but the quotidian skirmish with spiritual poverty...