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...Consider their résumés: Christina Ricci, born Feb. 12, 1980, first noticed when she was 10 in Mermaids (as the sister of another child siren, Winona Ryder), then certifying her kid stardom a year later as Wednesday Addams in The Addams Family. Natalie Portman, born June 9, 1981, zoomed to stardom in Luc Besson's Leon, a.k.a. The Professional, when she was 12. Scarlett Johansson, born Nov. 22, 1984, a leading actress at 11 as Manny in Manny & Lo, then at 13 as the troubled girl redeemed by Robert Redford in The Horse Whisperer. All three girls...

Author: /time Magazine | Title: The Other Boleyn Girl: When Child Stars Grow Up | 2/29/2008 | See Source »

...Emily R. Kaplan ’08-’09 is an anthropology concentrator in Pforzheimer House. She is co-chair of the Mental Health Awareness and Advocacy Group...

Author: By Emily R. Kaplan | Title: An Ignorant Argument | 2/29/2008 | See Source »

...conflicted, troubled, and strangely believable; they become, in short, real human beings whom we understand as much as we despise and whom we like as much as we fear. And that’s something you can’t get from Wikipedia.—Staff Writer Patrick R. Chesnut can be reached at pchesnut@fas.harvard.edu...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Darkness Lurks Behind Humor of 'Nazi Literature' | 2/29/2008 | See Source »

...assigned to the paper’s Washington bureau as the Supreme Court correspondent—a beat she has held ever since.Greenhouse’s seniority and studied attention to her subject matter made her an object of tremendous respect among her colleagues in Washington, said Jeffrey R. Toobin ’82 a former Crimson editorial chair who covers the courts for The New Yorker magazine.Never was Greenhouse’s influence more evident, Toobin said, than the December evening when the Supreme Court passed its ruling on the contentious 2000 presidential election. The decision was released...

Author: By Christian B. Flow, CRIMSON STAFF WRITER | Title: Greenhouse To Leave Times | 2/29/2008 | See Source »

...with a heavy beat and a dark, slinky analog bass. We don’t hear much of Jackson on this track, as her vocals have been multitracked and processed into little more than a synthesizer melody. Production takes center stage, showcasing the talents of renowned hip-hop and R&B producers Rodney Jerkins and D’Mile. Stereo effects abound, and every open space has been filled with a breathy “sexy sexy sexy” or “wooh.” With lines such as “Got you feeling all hypnotized...

Author: By Mark A. Vanmiddlesworth, CRIMSON STAFF WRITER | Title: Janet Jackson | 2/29/2008 | See Source »

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