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...Flaherty’s campaign is not simply counting on Cambridge voters, according to Flaherty’s media consultant Dorie R. Clark, a graduate of Harvard Divinity School...
...project shot with a dad’s camcorder. Kevin Smith, in all ways possible, dropped the ball. The story has absolutely no stakes, no worthwhile subplots, nor any reason for the audience to have a vested interest in what is happening on the screen. Despite its R rating and rampant profanity, “Cop Out” is a PG-13 comedy overdosed on unnecessary sex jokes and crude language. A taint on even as poor a filmography as Kevin Smith’s recent works, “Cop Out?...
Curry added that he plays assistant coach Kenny Blakeney in H-O-R-S-E almost every day, and that he works with assistant coach Brian DeStefano on his shot for a while after practice as well...
Portraying a relatable human story through the vehicle of a minority family, without overly racializing the content, is a delicate and difficult task. Lydia R. Diamond’s “Stick Fly”—a Huntington Theatre Company production which plays through March 28 at the Boston Center for the Arts’s Calderwood Pavilion—rises gracefully to the challenge. The show provides a snapshot of the wealthy, African-American LeVay family as it starts to head over the edge of an unseen precipice, while wittily examining class, race, gender roles...
...about striking a balance between the narrow register of pop jingles and an endless catalogue of the music DJs love—what for VanMiddlesworth includes “European techno minimalist house,” but for other DJs comprises a range electronica and hip-hop. John R. Regan ’11, who was the heavenly coefficient to Thorn’s Hell at the aforementioned party, has found a way to reconcile his approach with the demands of his audience. “I’m a remix DJ,” said Regan...