Word: r
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...created the Securities and Exchange Commission to enhance market oversight. As the stock market expanded in the 1960s, the SEC grew more aggressive in fighting insider trading, relying on a general prohibition against securities fraud. In 1987, the Supreme Court ruled that a former Wall Street Journal reporter, R. Foster Winans, and two associates were guilty of mail and wire fraud for trading on names mentioned in upcoming editions of the newspaper's "Heard on the Street" columns. Winans was sentenced to 18 months in prison, although the court split on whether his actions also constituted illegal insider trading. (Read...
...Ryan Leslie ’98 has a romantic streak that sets him apart from the rest of the modern R&B world—this Harvard grad knows how to treat the ladies. Unfortunately, the producer-turned-performer’s latest release, “Transitions,” is sleek and uninspired, relying on common tropes and clichés in order to appeal to a mass audience and mask its subpar vocals. While the album remains relatively listenable, Leslie’s attempts to create common ground render his songs false and hollow...
...thereafter he found his way into music production. He’s produced for Beyoncé, Britney Spears, and most recently Cassie, whose single “Me & U”—written and produced by Leslie—reached #1 on Billboard’s Hot R&B/Hip-Hop Songs. Leslie is a master of marketing, harnessing the power of YouTube, Twitter, and MySpace to create an expansive fan base; he offers free iPods, backstage passes, and dinners as prizes to his Twitter followers...
...though these melodies may be sweet, Leslie isn’t a vocalist. He hits the notes, yes, and even slips into falsetto on occasion, but with his lack of variation in volume and tone, he can’t compare to modern R&B greats like Usher and John Legend. In “Never Gonna Break Up,” the first track, Leslie makes evident these weaknesses. The chorus is sung nearly an octave higher than the verses, in a breathy falsetto, but his voice is merely pleasant and its intensity remains stagnant. “Never...
...Can’t Stop Partying,” co-written by Jermaine Dupri and featuring a rap solo by one of the hip-hop world’s most recognizable figures, Lil’ Wayne. Weezer takes a shot at dance-pop, using the cliché R&B babes and booze formula: “I gotta have Patron / I gotta have the beat / I gotta have a lot of pretty girls around me.” Lil’ Wayne puts the absurdity of the song best in his interlude: “Okay bitch it?...