Word: rabbiters
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...scenes don't move at a clip either. Sometimes Oshii preens a little, as when the camera tracks slowly around an object. It points out what's missing in his approach: fluidity of character line, the subtlety of expression that brought humanity to a Warner Bros. cartoon duck or rabbit...
Sometimes, when I emerge from my rabbit hole in Adams House—my window faces a brick wall approximately one foot away— I am dumbstruck by the splendor around me, the silence of my small room smashed by the tones of this tramway-streamlined world. Harvard Square is a great place to gather in these last moments of summer. The rhythm is as varied as our course catalog, a synergy of locals and intellectuals at thriving hotspots like Noch’s and the Garage. It is a place of high entropy, where disorder increases...
Judson Beaumont began his career as a sculptor, crafting minimal, geometric wooden pieces. Then he saw Who Framed Roger Rabbit, and the Toon Town extremes inspired him to go in a new direction. "I was taking my art too seriously," he says. "I had to lighten up a little bit." So he ditched the minimalism and began making fantastical, skewed pieces of furniture--and inadvertently entered one of the fastest-growing markets in the industry: luxury furniture for children's rooms. Now he and his Straight Line Designs team create his Pee-wee's Playhouse--like pieces for prices ranging...
...shaky hologram of a digitally resurrected Laurence Olivier (another actor voiced his new lines). George Lucas and others have created scenes in front of blue screens before, but Conran was the first to try to build absolutely everything nonhuman on the computer. It's the anti--Who Framed Roger Rabbit, with Conran leaving holes for the actors, who ran from one piece of tape on the floor to another as cameramen were instructed to tilt and rotate by exact degrees at precise moments. That, it turns out, does not make for happy cameramen, who have creative ideas of their...
...snapped by France's most distinguished documentary photographer, Henri Cartier-Bresson. Unlike artier cameramen, Cartier-Bresson has never felt the need of a studio or a darkroom. He still reloads his Leica under the bed, washes his prints in the bathtub. 'Shooting a picture,' says he, 'is like shooting rabbit or partridge. Before shooting you think, you contemplate, you look, look, look, look. Then you shoot and get it' ... Last week Cartier-Bresson contemplated the windowed gorges of Manhattan ... He took his camera everywhere about the city, peering, with an explorer's lust for the unknown, into thousands of hurrying...