Word: rabidly
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...time hockey school like Boston University, it is not unusual for 3,500 rabid fans to show up at a varsity ice hockey game. But last week the B.U. Terriers played the University of Lowell (Mass.) Chiefs before a meager crowd of 28 reporters and college officials. The reason: rubeola, or measles. Because the disease had already struck 55 undergraduates, university officials & barred students from attending all sporting events. They also canceled plays and lectures to prevent further spread of the contagion...
...Harvard Business School--surely a case of art imitating life imitating art, if ever there was one Ernest Flatford, B-School student with a taste for sentiment and bad prose, is rudely awoken by colleague and rival (and, inexplicably, object of his desire), the ghastly Prudence Tomb (Martha Coffin). Rabid purveyor of the go rich-quick-after-B-School American Drench, Martha, ever the killjoy, nags at Ernest to do his reading between intermittent snatches of an idiotic love duet. Just as we begin to feel at home, the Devil appears once again, in a new guise, armed with...
...single performance. By the fourth scene, though, the audience is clearly itching to get back to subplot A--Harvard undergrads and alumni of what may be the most anachronistic club on campus dress up, drink up, and go wild. The mini-kickline near the close of the act brings rabid cheers from a crowd that smells serious socializing just down the aisle...
...around just long enough to have his son circumcised. The mark of Abraham is Pyat's secret shame and key to a mordant joke underlying The Laughter of Carthage. There is enough internal evidence (allusions and outbursts of Yiddish) to conclude that Pyatnitski's gene pool is thoroughly integrated. Rabid anti-Semitism is his way of denying the past and advancing his career as scientist and gentleman. There is also ample indication of a thin line between deceit and self-delusion...
...gets to play Marat. Suffering from a skin disease, the feeble and pinched looking Marat crouches in a bathtub. His fervent speeches sound simultaneously noble and pathetic as he bleats them in a madman's wavering voice. Although sympathetic and believable, Moore lacks the personal force of a rabid activist. On the other hand, Nick Lawrence displays great haughtiness as the infamous Marquis, swaggering about and scorning the other inmates as "lost revolutionaries." During, his soliloquies, however, he seems too coldly contemptuous of political movements, too condescending towards Marat, and he enunciates with such precision and venom that his words...