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Word: rachel (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

April and Rachel both make it their own and skip the Liza impression. Chenoweth nails it, of course. The song’s perfect for her character, and she plays it effortless, funny, and sympathetic. Rachel cleverly turns the optimistic song on its head, making it about unraveling desperation. But while actress Lea Michele hits the notes beautifully, she just doesn’t leave herself quite enough room to act, coming across more shell-shocked than dejected...

Author: By Luis Urbina | Title: Recap: "The Rhodes Not Taken" | 10/2/2009 | See Source »

This week, Mr. Schue learns that Carmel High is intentionally flunking students to keep them in rival glee club Vocal Adrenaline (no wonder those actors are so old-looking), so he enlists alcoholic dropout April Rhodes (Chenoweth) to replace Rachel. The sinful April wins the club over by corrupting them, and Emma confronts Will about the compromises he’s making. Is Emma right, or is she just jealous of Will’s “first crush”? (Emma’s poor luck in love keeps getting more and more hilarious. The episode implies that...

Author: By Luis Urbina | Title: Recap: "The Rhodes Not Taken" | 10/2/2009 | See Source »

...song is a good throwback (we were starting to wonder if New Directions was bothering to amass a repertoire or just burning through new song after song) and it serves its purpose of highlighting the club’s dependence on Rachel. But the number is weak, and not just because it’s short. Quinn’s voice cracks, and based on Mr. Schue’s non-reaction, it’s not part of the plot...

Author: By Luis Urbina | Title: Recap: "The Rhodes Not Taken" | 10/2/2009 | See Source »

...Rachel camps it up in this snippet, but fascist art director Sandy Ryerson is right – it’s boring. The song’s about living life to the fullest, so why is she holding herself back...

Author: By Luis Urbina | Title: Recap: "The Rhodes Not Taken" | 10/2/2009 | See Source »

...Exfernal World” around them: Much of the action of the novel takes place on their rooftop plots, where they prepare “Ararats” and teach each other foraging skills while singing hymns or praying to a pantheon of beatified scientists (Dian Fossey, Rachel Carson, Euell Gibbons). As a result, they are also more boring. Even with intra-cult intrigue, and Atwood’s skillfully crafted futuristic sermons, the Gardeners simply don’t rival the garish inhabitants of the Pleeblands. Even Ren complains of her lackluster surroundings. “The street kids?...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Atwood’s Apocalyptic ‘Year’ More Fun than Flood | 9/25/2009 | See Source »

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