Word: rachmaninoffs
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...sabbatical threatened to stretch on indefinitely. Then, in 1966, Conductor Herbert von Karaj an re-established him in Europe overnight by choosing him to open the season with the Berlin Philharmonic. Last year the comeback was completed in the U.S. when Weissenberg dashed off an exhilarating version of Rachmaninoff's Piano Concerto No. 3 with the New York Philharmonic. As his performance of Chopin's Concerto No. 2 last week showed, his playing nowadays bristles with the strength of a new maturity...
...those moments that every performer dreads. Pianist Vladimir Horowitz was halfway through Rachmaninoff's Sonata in B-Flat at Manhattan's Carnegie Hall. And then-poing!-the sound of string #17 (bass A-note) giving way on the Steinway concert grand. An embarrassed unease settled over the hall while a technician frantically made repairs. Finally, Horowitz completed the piece and responded to the thunderous ovation with four encores. Said the famed firm's president, Henry Z. Steinway: "Each time this happens I want to crawl into the woodwork." Soothed Horowitz: "It's like a flat tire...
ALEXIS WEISSENBERG: RACHMANINOFF PI ANO CONCERTO NO. 3 IN D MINOR (RCA Victor); CHOPIN PIANO CONCERTO NO. 1 IN E MINOR, PIANO CONCERTO NO. 2 IN F MINOR, and SMALLER WORKS FOR PIANO AND ORCHESTRA (Angel, 3 LPs). After returning to the U.S. last year from a decade-long self-imposed exile, Weissenberg, now 39, changed his first name from Sigi to Alexis. He obviously had some new musical ideas on his mind too. In the Rachmaninoff, the Bulgarian-born pianist displays a Horowitz-like technique, a poet's heart and vast reserves of power; he throws up wave...
When I lived in Paris or London, everybody sneered at the Hollywood style or Hollywood superficiality. But when I moved here in the '40s, who were my neighbors? Schoenberg, Rachmaninoff, Aldous Huxley, Heifetz, Thomas Mann, Stravinsky and Rubinstein. What Hollywood style? What Hollywood superficiality? These creative people lived here, first, because the city is so widespread that you can have your privacy when you want it. Second, the climate. Also, people here are not afraid to break traditions. When we want to play without a conductor...
...other two contestants presented a difficult choice. Seth Carlin is the most virtuosic pianist I have heard at Harvard. His performance of the Rachmaninoff Second Concerto displayed a near-perfect technical mastery of that demanding score. The runs and complicated accompaniment figures came through clearly without covering the melodic line. Carlin also demonstrated rhythmic control and power that put his playing on a professional level...