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...most of the male inhabitants of an entire Chinese village to the U.S. over a period of 50-odd years. Like untold thousands of other Chinese in the U.S., the Hueys did it by playing a game as intricate and baffling as any Chinese puzzle ever devised: the slot racket...

Author: /time Magazine | Title: IMMIGRATION: A Case of Togetherness | 1/20/1958 | See Source »

Bent Twigs. The racket required only money and patience. A Chinese in the U.S. would revisit the home country, say for a year, perhaps longer. Upon his return he would inform immigration officials that his wife, still in China, had borne him a child, maybe two or three. Since the self-styled father could claim that he was a U.S. citizen, his child, accordingly, was a citizen and was so registered...

Author: /time Magazine | Title: IMMIGRATION: A Case of Togetherness | 1/20/1958 | See Source »

...story this time is lifted from the book, The Man Who Rocked the Boat, in which William Keating described his adventures on the waterfront as a racket-busting assistant to Manhattan's district attorney. An honest pier boss (Mickey Shaughnessy), who refuses to holler uncle when the musclemen apply the pressure, is burned with half a dozen garlic-smeared slugs, and Keating (Richard Egan) is assigned to make the case against the goons who got him. He gets nowhere fast. The longshoremen, as usual, are afraid to talk. The victim himself refuses to "rat." The affable union boss (Walter...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 2, 1957 | 12/2/1957 | See Source »

Wear & Tear. Rodeo riding, Shoulders argues, is the roughest racket in sport. But it is not the physical danger that concerns him. "There is absolutely no money guarantee," he complains. "You've even got to furnish your own equipment, and you have to pay entry fees to compete. If you're hurt, you have to sort of scuffle around for yourself...

Author: /time Magazine | Title: Sport: The Suicide Circuit | 11/18/1957 | See Source »

...Story of Esther Costello (Romulus; Columbia) examines the phony charity racket. Following the lead of Nicholas Monsarrat's novel, on which it is based, the picture not only condemns the conscious criminals but also takes a number of lusty sideswipes at their unconscious accomplices: public sentimentality and crassness, official indifference, and the self-righteous complaisance of religious groups...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 4, 1957 | 11/4/1957 | See Source »

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