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Word: racks (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Bigger & Faster. The Concorde's backers hope that once the plane is in service, it will rack up a big percentage of the market before being challenged by the U.S. supersonic transport due aloft in the mid-'70s. Roomier than the Concorde (292 passengers v. 132) and faster (1,800 v. 1,450 m.p.h.), the Boeing 2707 has already attracted 125 options from 26 interested airlines. While the British and French admit that the American SST will eventually dominate the North Atlantic-currently accounting for 42% of all international air travel-they argue that there will be plenty...

Author: /time Magazine | Title: Aviation: Showing Off the Concorde | 12/15/1967 | See Source »

...MANOR, by Isaac Bashevis Singer. In this tragicomic account of the changes that rack a Victorian Polish-Jewish family, a popular Yiddish storyteller demonstrates that he has the credentials of a major novelist...

Author: /time Magazine | Title: Television: Nov. 17, 1967 | 11/17/1967 | See Source »

...MANOR, by Isaac Bashevis Singer. A popular Yiddish storyteller powerfully projects his own sense of exile, while demonstrating that he has the credentials of a major novelist, in this tragicomedic account of the changes that rack a Victorian Polish-Jewish family...

Author: /time Magazine | Title: Television: Nov. 10, 1967 | 11/10/1967 | See Source »

Brecht's story is set in Chicago, 1912, where two men battle each other to the death for no reason at all but that they are both alive. Says Brecht: "In observing this battle do not rack your brain for motives: concern yourself with the human element...concentrate your interest on the showdown." The play lives off power, the juxtaposition of the brute vitalities of the prairie born George Garga (Daniel Deitch) and the Malay lumber dealer, Shlink (Seth Adagala...

Author: By George H. Rosen, | Title: Jungle of Cities | 8/18/1967 | See Source »

...walks away to play a rack and the circulation of people resumes. Uncle constantly circumnavigates the hall. He is a small, squat man who appears to be literally easier to flatten than knock over. He advances like a boxer, stopping before the more loud-mouthed, hence less important, kids to draw back his fist and flex his forearm. Violence diffuses through the room like the smoke, and it is easy to forget that the friendly shoves are shoves. Then maybe a drunk comes in. Vic says to the stranger, "Go now. That kid in blue is drunk. He's crazy...

Author: By John D. Reed and Charles F. Sabel, S | Title: THE NORTH END | 5/12/1967 | See Source »

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