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...Radano's life has been a cross-section of many genres of music...

Author: By Nanaho Sawano, CRIMSON STAFF WRITER | Title: Music Doesn't Know a color | 1/23/1998 | See Source »

...case with most musicologists, I started out as a musician," says Radano, who was raised in an upper-class suburb of Manhattan that he describes as "claustrophobic"--at least for an electric guitar playing teenager with hair grown down his back...

Author: By Nanaho Sawano, CRIMSON STAFF WRITER | Title: Music Doesn't Know a color | 1/23/1998 | See Source »

...That was the uniform of individuality, wasn't it?" Radano laughs. "It was, of course, a time when such independence and resistance to orthodoxy was encouraged socially and even institutionally...

Author: By Nanaho Sawano, CRIMSON STAFF WRITER | Title: Music Doesn't Know a color | 1/23/1998 | See Source »

After the high school fascination with rock and some jazz, Radano became interested in experimental "new" music and avant-garde jazz when he went off to Rowan College in 1974, where he studied the intersections of jazz and art music and visited Manhattan often to work with many in-house ensembles that were blurring the lines between types of music...

Author: By Nanaho Sawano, CRIMSON STAFF WRITER | Title: Music Doesn't Know a color | 1/23/1998 | See Source »

Ultimately, Radano chose to study Anthony Braxton's career, not to present another jazz biography but to employ his life and work as a lens for observing the confusion and fragmentation of post-World War II American work, an endeavor that Radano is still best known for, Shelemay says...

Author: By Nanaho Sawano, CRIMSON STAFF WRITER | Title: Music Doesn't Know a color | 1/23/1998 | See Source »

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