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...SIDNEY RADEK...

Author: /time Magazine | Title: Letters: Dec. 23, 1966 | 12/23/1966 | See Source »

...Merry Widow (MGM) is the fourth Hollywood version of the famed old (1905) Franz Lehar operetta.* This time Lana Turner is the wealthy Widow Radek from Hoboken, and Fernando Lamas is Count Danilo of Marshovia, who is assigned to marry her in order to save his country from bankruptcy, an act of cold-blooded patriotism that is complicated by hot-blooded love...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 8, 1952 | 9/8/1952 | See Source »

Sardines, Dimes, Cheese. After the war, Jo took off for Russia, hoping to fill out his plastic history with a bust of Lenin. He never got Lenin, but he got a host of influential underlings. When Foreign Minister Chicherin, who lived in great splendor, heard that Karl Radek, who lunched off sardines on newspaper,* was being sculpted, Chicherin remarked to Jo: "What a curious man, Radek. Why does he go on living in such squalor? . . . After all, there has been the revolution." "He is a curious man, Chicherin," confided Radek. "Look at the way he lives. You would never know...

Author: /time Magazine | Title: Books: Face Values | 12/3/1951 | See Source »

Early in the film, as Maigret suffers Radek's taunts at the Eiffel Tower restaurant, you get the upsetting impression that Radek would like to do nothing better than hurl himself from the tower to show his scorn for humanity. Despite numerous old Hollywood traditions, Radek does not jump, thereby supplying one of the film's pleasantest surprises. He comes breathlessly close, however, in a series of amazing shots that will make you wonder whether or not Tone and Meredith actually did clamber all over this maze of girders. How Maigret bloodlessly outwits Radek proves a vastly satisfying...

Author: By Gene R. Kearney, | Title: THE MOVIEGOER | 1/31/1950 | See Source »

Captured in the full colors of Ansco film, the narcotic spell of Paris nicely complements Tone's interpretation of Radek's manic-depressive states. The photography, under actor-director Meredith's sensitive eye, is responsive to the moods of both the man and the city...

Author: By Gene R. Kearney, | Title: THE MOVIEGOER | 1/31/1950 | See Source »

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