Word: radiant
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Dates: during 1960-1969
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...proud display in the N.C.F.A.'s new gallery, the paintings are suffused with something approximating their original unearthly aura, a weird kind of radiant half-light that Ryder thought of as "golden luminosity." It floods across the two foreground figures in Christ Appearing to Mary, painted about 1885. It pulses in the background of The Flying Dutchman, which shows the phantom ship gliding across the horizon behind an open boat manned by three storm-tossed mariners. As Ryder remarked: "What avails a storm cloud accurate in form and color if the storm is not therein?" In this painting...
...nation ever began with a richer inheritance or more radiant prospects than the United States of America. But living up to the promise of a perfect childhood can be a terrible strain. Everything achieved afterward tends to appear as anticlimax: the course of adult life seems to run depressingly downhill...
...pictures were the kind found in any family album. There was the radiant new mother sitting in bed in a prim peignoir, surrounded by her beaming kin. The photos, taken four years ago after the birth of Prince Edward, were of Queen Elizabeth II. When they appeared in France in Paris-Match, the royal household was scandalized. The Queen asked the British press to refrain from printing the "personal" snapshots, but the London Daily Express took advantage of its reciprocal arrangement with Paris-Match and printed them anyway. With that, the rival London Daily Mirror threatened to publish "a purloined...
Taxi drivers, taking passengers to the high-domed, gleaming beige mansion on Washington, D.C.'s fashionable Foxhall Road, are apt to ask if it is an embassy. Pedestrians sometimes mistake it for a new museum, stroll in to peer at Bonnard's radiant Après le Déjeuner in the foyer. The house is not an embassy or museum, but neither is it an ordinary home. It is the new, luxurious, $1.5 million-plus home of David Lloyd Kreeger, 59, and his wife Carmen, who built it as a sort of shrine...
...dressmaking shop; it was constantly alive with seamstresses and customers exchanging confidences about fittings, and cluttered with bolts of satins and silks, ribbons and pattern snippings. In this homely setting, Vuillard, who derisively referred to himself as "the in-timist," fashioned vignettes of quiet domesticity that suggest a less radiant, fin de siècle Vermeer...