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...tastes of Harvard,” as it was in the 1950s. WHRB President Ashwin Vasan ’99 told The Crimson in 1998 that “Our audience base is not students. The fact that we are in some sense ‘college radio?? is only reflected by the fact that we are staffed and run by undergraduates.” And David A. Rios ’07 recently told The Crimson that the Record Hospital appealed mostly to “old drunk guys, prisoners, hipsters, knowledgeable twenty-to-thirty-somethings...

Author: By M. AIDAN Kelly, CRIMSON STAFF WRITER | Title: Good Morning, Harvard Square | 6/3/2006 | See Source »

Unpredictable? Yes. But the programming is typical of a wider trend—particularly prevalent in college radio??known as “niche broadcasting...

Author: By Anna F. Bonnell-freidin, CONTRIBUTING WRITER | Title: Radio Free Harvard | 4/13/2006 | See Source »

Once the epitome of New York City chic, Yeah Yeah Yeahs burst onto the scene in 2000, becoming the next-big-thing even before they had released a second EP. The buzz they generated landed the band a superb producer, TV on the Radio??s David Andrew Sitek, for their first complete album, 2003’s “Fever to Tell...

Author: By Adam J. Scheuer, CONTRIBUTING WRITER | Title: Yeah Yeah Yeahs | 4/6/2006 | See Source »

...handful of students tried to bring back the glory. During the mid-1980s and early 1990s, the WHRB hip-hop department—known as “The Dark Side”—hosted “Street Beat,” one of college radio??s seminal rap programs. The show also spawned a campus newsletter by the same name, which later became one of the premier journals of hip hop culture: “The Source.” Darius P. Felton ’08 and Sam D. G. Jacoby...

Author: By Bernard L. Parham, CRIMSON STAFF WRITER | Title: Hip-Hop Comes Back to WHRB | 2/9/2006 | See Source »

There are several forces pulling at the Hit Single these days, with the convenience of myTunes reintroducing our short attention spans to the full-length LP and FM radio??s influence dwindling in college because none of us drive. Pop music now has to find other ways to seep into our consciousness—to find new, pulsing veins through which to get us addicted and to get these songs into our heads. I won’t claim to know how they do it, but Billboard must have its ways—because as slow-moving...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: Uncharted Waters | 2/11/2005 | See Source »

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