Word: radio
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...written for TV, for movies, for radio, for comics. Aside from the technical aspects, is it that different to write for all these mediums?Not really. A story is a story is a story. The only difference is in the techniques you bring to bear. There are always limitations on what you can and can't do. But I enjoy that. Just like when you write a sonnet or haiku, there are rules you have to abide by. And to me, playing within the rules is the fun part. It keeps the brain fresh...
...Keener) and their young daughter Olive (Amy Goldstein). Caden, who's had a critical success staging Death of a Salesman with young actors in the middle-age roles, is himself a premature old man; he hears mortality gargling at him everywhere. In the first scene, he wakes to a radio talk-show report about how the coming of autumn is a harbinger of death; from then on, Caden's life is one long fall. Reading the newspaper, Caden sees a headline about a playwright. "Harold Pinter's dead," he muses aloud. "No, wait, he won the Nobel Prize." He glances...
...from Roosevelt High School, after exploits on the football and swimming teams, in 1969; and immediately enlisted in the Navy, where he qualified for the SEALS underwater demolition team. During his campaign for Governor, he made much of his military service, at the intended expense of his opponents. A radio ad, set to the theme from the movie Shaft, contained the lyrics, "When the other guys were cashing government checks, he was in the Navy getting dirty and wet." He boasts a Vietnam Service Medal on his personnel record, although he has consistently refused to explain what he did there...
...your eyes or got the tape off your throat, he'd run for his life." But Ventura was funny and articulate outside the ring, skills that led, once he hung up his tights, to movie roles and jobs as a TBS wrestling commentator and a talk-show host at radio station KFAN in the Twin Cities...
...Even in this annus horribilis for the GOP, Coleman until a month ago looked like he might coast to victory over his unlikely Democratic challenger, comedian turned author turned liberal radio host turned politician Al Franken. In the most expensive Senate race in the country, Coleman portrayed himself as ordinary, wholesome and dull - which he not unreasonably assumed would go over well in a state culture known, with both affection and derision, as Minnesota Nice. For Coleman's purposes, being safe and boring seemed especially wise when contrasted with the loud, funny, inexperienced and sometimes offensive Saturday Night Live alumnus...