Word: radioclit
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Dates: during 2009-2009
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Founded in 1999 with Malawaian vocalist Esau Mwamwaya fronting the daring production of London-based DJ duo Radioclit, The Very Best released the critically acclaimed mixtape “Esau Mwamwaya and Radioclit are the Very Best” in 2008. The mixtape was equally indebted to traditional African musical traditions and their corresponding Western interpretations. The most bizarre example of this, perhaps, was seeing Mwamwaya sing in Chichewa over Vampire Weekend’s “Cape Cod Kwassa Kwassa” in a bold, globally-minded move to transcend the African sound and enter the arena...
...when it comes to questions about the album’s themes: love, truth, music, and other universals. The topics are sweepingly large, but The Very Best has the musical muscle to match. On the track, Mwamwaya spreads his bracing, multi-tracked vocals across the crisp, rollicking synths of Radioclit that would be equally at home in an ’80s pop hit. The song moves between the peaks of Mwamwaya’s choral cries and the hushed intimacy of the calming and repetitive beat, creating moving dynamics that keep it from becoming repetitive...
...Radioclit unveil their westernized, hip-hop stylings on songs like “Angonde” and “Julia.” On “Angonde,” the sound expands, rolling with thick, pounding drums and a soft, insistently rhythmic, Arabian guitar. Here, Radioclit process Mwamwaya’s rich vocals with a vocoder, electrifying and stiffening his voice to levels well below the T-Pain and Imogen Heap side of the spectrum so he maintains some of his trademark warmth while providing the crisp, electric harmonies. Throughout the track, a lone, hopeful violin pours...
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