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Sparklehorse is often compared to past tour-mate Radiohead, and indeed their music shares with that of the British band a pervasive mood of alienation and apathy as well as layers of sheer melodic beauty. Moreover, Linkous fiddles with synthesizers onstage almost as much as Jonny Greenwood of Radiohead does. However, the group acknowledges significant folk and country elements. This blending of styles makes for a crop of inventive songs wrapped around haunted, absorbing melodies which set Sparklehorse aside...
Sparklehorse is often compared to past tour-mate Radiohead, and indeed their music shares with that of the British band a pervasive mood of alienation and apathy as well as layers of sheer melodic beauty. Moreover, Linkous fiddles with synthesizers onstage almost as much as Jonny Greenwood of Radiohead does. However, the group acknowledges significant folk and country elements. This blending of styles makes for a crop of inventive songs wrapped around haunted, absorbing melodies which set Sparklehorse aside...
...behind Madonna's most recent album, Ray of Light. The result is that 13 is full of buzzing and whirring, guitar distortion and machine-generated beats. Unlike on Madonna's album, however, few of the songs here have danceable rhythms, and few have memorable tunes. Other British acts, including Radiohead and Unkle, have explored similar sonic territory with more interesting results...
With a nod to Radiohead here and to Sunny Day Real Estate there, The Sheila Divine's nine-song set began and ended in sweetness. They started the evening with "The Amendment," a precious ballad that allowed Perrino a warm up before exploding into the kind of fervor needed for the later "Modern Log" and "Opportune Moment." Except for the ballad, the songs were similar in form; they began with a Belle and Sebastian like delicacy and built up to a passionate central moment that belied the simplicity of the band's instruments (drummer Shawn Sears plays only a bass...
Kent's music is often marked by melancholy, like Radiohead or The Cure, but they played with such spirit as to make it equally life-affirming. The epic seven-minute-and-forty-seven-second "747" was a fitting song to close on. Markus Mustonen, the drummer, began the song by quietly patting away with brushes; by the end, he was driving an urgent rhythm with drumsticks. Sami Sirvio, the lead guitarist, broke a string about five minutes into "747," but his relentless playing never skipped a beat...