Word: radioing
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Dates: during 2000-2009
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...DynaTAC was dubbed. The phone weighed nearly 3 lb.; Apple's iPhone clocks in at just under 5 oz. It took 10 hours to recharge and retailed for $3,995. Calls to the DynaTAC were carried through telephone lines to a central computer and then transmitted by radio...
...leap forward in engineering: magnetic cassette technology had been around since 1963, when the Netherlands-based electronics firm Philips first created it for use by secretaries and journalists. Sony, who by that point had become experts in bringing well-designed, miniaturized electronics to market (they debuted their first transistor radio in 1955), made a series of moderately successful portable cassette recorders. But the introduction of pre-recorded music tapes in the late 1960s opened a whole new market. People still chose to listen to vinyl records over cassettes at home, but the compact size of tapes made them more conducive...
...First released in Japan, it was a massive hit: while Sony predicted it would only sell about 5,000 units a month, the Walkman sold upwards of 50,000 in the first two months. Sony wasn't the first company to introduce portable audio: the first-ever portable transistor radio, the index card-sized Regency TR-1, debuted in 1954. But the Walkman's unprecedented combination of portability (it ran on two AA batteries) and privacy (it featured a headphone jack but no external speaker) made it the ideal product for thousands of consumers looking for a compact portable stereo...
...media. It's very hard in the mass media in the U.S. to get exposure for books. There's very little space, and a lot of newspapers are shrinking their space. But if you go to Europe, you find that a lot of newspapers and TV shows and radio shows are constantly featuring writers. It's part of people's lives. Here it seems like only serious readers are concerned about those things. Books and literature don't seem to be part of the mainstream. Which is a shame...
...Lest you think that there is something very cute and Japanese about the productions, it should be noted that Takarazuka derives most of its inspiration from foreign sources - vaudeville, Radio City Music Hall and Hollywood musicals. In their stylization, codified roles, transvestite stars, rigid themes (which in Takarazuka's case is almost always boy and girl fall in love, conflict ensues and is resolved) and combinations of dance, drama and chorus, there are obvious similarities between Takarazuka and the traditional Japanese performing arts of Kabuki and Noh theater. But these tales of chaste love are told through adaptations of Broadway...