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Which leads to the defining question about Ben Kweller. What has he got that all the other guitar-toting guys don't? Most obviously, Kweller has a tale of woe. In 1996, when he was just 15, his garage band, Radish, was signed by Nirvana guru Danny Goldberg to a major-label deal and was subsequently profiled at Proustian length in the New Yorker. The album that came out of the experience, Restraining Bolt, wasn't bad, but Kweller could not have marshaled more jealous cultural forces against him had he been handed a MacArthur genius grant at graduation. There...

Author: /time Magazine | Title: Music: The Second Time Around | 4/12/2004 | See Source »

...Miami plastic surgeons--the former a seductive bad boy, the latter moral but uptight--and this subtle-as-an-implant drama shies away from neither their work's ethical implications nor its grossness. (Don't fix a snack before watching them carve up a patient's face like a radish rosette.) FX aspires to be the poor man's HBO, and if the bad-cop drama The Shield is its answer to The Sopranos, Nip/Tuck uses a disturbing profession (and stretches basic-cable limits of nudity and language) to explore society and family. Yes, it's Six Millimeters Under...

Author: /time Magazine | Title: Body Shop | 7/28/2003 | See Source »

...Kweller is not your run-of-the-mill child prodigy. Born in 1981 in Greenville, Texas, he formed his first band at the age of 13, and was signed by a local record company the next year. In 1996, his band, Radish, was the subject of a bidding war that garnered national attention. The band broke up in 1999 and Kweller moved to Brooklyn to begin his solo career. In the years following he opened for Guster and Evan Dando tours, while also releasing the short EP Come Home. Finally, at the golden age of twenty, he has released...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 3/15/2002 | See Source »

...days and 5,000 lives later, its tag line about ordinary people in extraordinary times was no longer a mere historical reference. On its release, the jacket art of The Corrections--a clean-cut family sitting at a holiday table laden with turkey, cranberry-jelly slices and radish rosettes--seemed like a Lynchian dig at Norman Rockwell Americana. Today the image just seems, well, nice. And before Sept. 11 a literate reader would most likely have identified with the novel's neurotic, sophisticated grown children. Today it's hard for even the most jaded not to feel more like Enid...

Author: /time Magazine | Title: Art: The Culture Comes Home | 11/19/2001 | See Source »

...vegetables by Ito Jakuchu (1716-1800). You can read it, with pleasure, as a supremely assured market still life (Jakuchu was, in fact, a vegetable wholesaler before he turned to painting full time). Gourds, melons, turnips, ears of corn and a shiitake mushroom surround an enormous forked white radish, lying as if in state on a basket. But as Singer points out, an educated 18th century Japanese would have recognized this as a parody of a familiar religious image--the parinirvana, or scene of the dead Buddha encircled by a crowd of his mourning disciples. You only need...

Author: /time Magazine | Title: Art: Style Was Key | 12/14/1998 | See Source »

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