Word: raeburn
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...Alfred Morton Githens. Besides its 14 exhibition galleries, its classrooms and offices, the museum boasts a fully equipped stage. On view in its permanent collection last week was a small but extremely well chosen group of those 18th Century portraitists that tycoons loved to collect before Depression: Gainsborough. Lawrence, Raeburn, Reynolds, Romney and Benjamin West, besides Canaletto, Guardi and Goya...
...Colgate went back to Colgate-Palmolive-Peet. Last week a Thompson went back to 118 one-armed lunchrooms, but the process was some-what different. In 1927 John R. Thompson, self-made founder of the restaurant chain died leaving to his estate a lot of old masters (Hals, Raeburn, Corot, Diaz, Millet, Rousseau, Bellini) that had cost him some $750,000. To his company he left his Yale-educated Son (Class of 1918). John R. Jr. had been put through the business from the lunch counter up. Homely and negligent in dress, he was regarded by his father...
...fingers snapped and pencils rose actively, and from his pulpit Auctioneer Otto Bernet bounced prices up $1,000 at a time. For Sir Thomas Lawrence's huge canvas of Mrs. Raikes and Daughter, an agent paid the top price of the sale, $17,100. A Van Dyck, a Raeburn, a Gainsborough, a Romney each fetched more than $10,000. All told, 74 canvases brought $286,100 in cash. To the uninitiated it sounded as if Depression were over...
...private collectors have contributed to the exhibition making it one of the most complete of its kind in the United States, and among the most important ever assembled in the University art museum. Some of the best paintings in the exhibition are from the brush of Sir Henry Raeburn. 1756-1823, his "Elfinstone Children" being possibly the outstanding canvas on display. Others, among them the portraits of Hugh Hope and Sir Walter Scott, display a warmth and depth of treatment that is unusually fine. Another portrait, that of Mrs Ellen Cochrane, from the brush of the same master, possesses...
Turner and Raeburn Prominent...