Word: raeburns
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...Brewster Tinker of Yale, Fogg Museum yesterday opened its major exhibition of the year to visitors. The display, which includes representative work of eighteenth and early nineteenth century English artists assembles some of the most famous examples of the school which began with Hogarth and includes Reynolds. Gainsborough. Romney, Raeburn. Turner Constable and Lawrence...
Among the museums which have contributed to the show are the Metropolitan Museum the Duncan Phillips Memorial Gallery, the Chicago Art Institute and the Cincinnati Art Museum. From the last mentioned institution an especially fine Raeburn has been received, a painting entitled. "The Elfenstone Children." Paintings have also been donated by the School of Fine Arts at Yale, and also the Elizabethan...
...intrinsic merit and value of the individual items. There are many etchings and engravings, but the chief glory of the collection is the oil portraits, many of them the work of distinguished artists. Particularly notable are the pictures of Lord Newton of the Scottish Bench, by Raeburn, of Lord Chief Baron Macdonald of the English Bench, by Romney--both in the Austin Hall reading room--the large portrait of Dean C. C. Langdell, by Vinton, which hangs in the main reading room of Langdell Hall, and that of Chief Justice Taney by Leutze, in the lecture room known as Langdell...
...many ways surpasses that of any other room in the School and may well be considered an art collection in itself. In it are oil portraits of famous, and infamous, English judges. They are forty-two in number, and the group includes work by Lely, Kneller, Romney, and Raeburn. Here is the painting of Lord Newton, a Scottish judge, by Raeburn, which is believed to be the artist's original of his larger portrait of Lord Newton made for the Faculty of Advocates of Edinburgh. The portrait of Lord Newton and the one of Lord Chief Baron Macdonald, an English...
...secret list of twelve paintings, now in private British collections, which authorities consider too precious to let England lose at any price. If such a list exists it could hardly fail to include Titian's Diana, and Actaeon, Reynolds' Master Crewe, Romney's Gower Children, Raeburn's The MacNab, Gainsborough's-portrait of Anne, Duchess of Cumberland (owned by the King), Lawrence's Lord Lyndoch, two of Lord Ellesmere's Raphaels, or Rembrandt's Rabbi in a Chair. One picture which might well have, been included but evidently...