Word: rafter
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Dates: during 1960-1969
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...with Laotian officials, handing out Senate gallery passes to giggling Pakistani nurses or teaching Thai children to say "O.K." and "Goodbye," Humphrey was on center stage every minute of his trip. His only moment of humiliation came in, of all places, friendly Saigon, where, despite his blandishments and some rafter-ringing hooo-ees, the black Berkshire hogs at an agricultural-experiment station haughtily ignored the Vice President-evidence, no doubt, that the Viet Cong have even infiltrated the porcine population...
...They were joined at noon by three specializing from the Animal Rescue League, who brought an impressive impressive arsenal of equipment including large, long-handled nets and poles with drop-over-the-head leashes. The last monkey was finally netted at 8 p.m. from his headquarters on a corner rafter...
Song of Praise. The first movement is a scorching retelling of "Babi Yar,' Evtushenko's angry denunciation of Soviet antiSemitism. Into a flowing dirge, chanted in solo and choral recitation. Shosta kovich pours rafter-shaking eruptions of drums and orchestra, recapturing his old, uninhibited enthusiasm for color and excitement, rekindling the fire of Evtushenko's poem. The second movement is based on "Humor," a poem that makes the point that tyrants cannot imprison laughter, and the music - perfectly in the spirit of things - becomes impish, light and gay. The third movement, on a poem about a lonely...
...King Giovanni Buitoni finally had a feather in his cap that wasn't macaroni. Achieving the "fondest dream" of his 70 years, would-be Basso Profundo Buitoni hired Manhattan's Carnegie Hall and packed it with friends and employees from his Hackensack, N.J., headquarters to make a rafter-rattling concert debut. Belting out arias from Rigoletto and Ernani, the Italian-born industrialist brought the momentous evening to a wildly bravoed climax by joining Metropolitan Opera Star Licia Albanese in a duet from Don Giovanni and smothering her with kisses as a reward for "carrying" him. "As Don Juan...
Even opera was better than that, and Tozzi went to Italy to study. With the help of his teacher, he changed from baritone to bass, a decision he never regretted, although in basso roles he rarely gets the rafter-ringing aria or the girl. He admits to some annoyance when a tenor or soprano "who has been singing lousily all evening gets up there and hits a high note and brings the house down." But on balance, he will stick with the kings, priests, inquisitors and assassins who fall to the basso's lot. Being the villain, he finds...