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Word: ragas (lookup in dictionary) (lookup stats)
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...quirky rhythms of Ellis' arrangements, or even tap their feet to them, were hard to come by. Eventually, he lined up a group, which today includes teachers, studio men, students and one lawyer, that could feel at home with everything from a quasi-classical passacaglia and fugue to raga time. After months of rehearsals, he brought in a score in 3⅔ time, and the band read it at sight. "That was the turning point," recalls Ellis. "The time barrier had been broken...

Author: /time Magazine | Title: Jazz: Beat Me Daddy, 27 to the Bar | 5/26/1967 | See Source »

Eleanor Rigby, also scored for strings but boldly modern in harmonics and urgent cross-rhythms. In Love You To, they incorporated the sinuous sounds of Indian music, which Beatle George Harrison picked up during six weeks of study with Sitarist Ravi Shankar; soon raga-rock was all the rage...

Author: /time Magazine | Title: Show Business: Other noises, Other notes | 3/3/1967 | See Source »

...simplicity of emcee Pete Seeger along with Ali Akbar Khan and the Kweskin Jug Band saved the Sunday night concert. Khan displayed an amazing command of the sarod and improvised brilliantly, building a raga that totally engrossed the third of the audience that was seriously listening...

Author: NO WRITER ATTRIBUTED | Title: Folk Festival Fails to Excite | 7/29/1966 | See Source »

...Indian gentleman must be able to mix a very dry martini and in the next, very dry breath interpret the intricacies of a raga (a traditional Hindu melody) played on a sitar (like a guitar). His wife must not only be pretty, but be able to frug in a sari while folding her hands in the traditional greeting of namaste. His home must be decorated in the best Western decor, but carry at least one careful Indian touch-perhaps a Mogul miniature or a divan with a brightly colored, hand-loomed bolster from the Punjab. Clubs are one British social...

Author: /time Magazine | Title: India: Pride & Reality | 8/13/1965 | See Source »

...Pianist Dave Brubeck and Saxophonists John Coltrane and Bud Shank. At the end of his U.S. tour, Shankar will begin a six- week course in Indian music at U.C.L.A.; local jazzmen are standing in line to enroll. The basis of Indian music is a melodic form called a raga, a series of notes on which the musician improvises. There are thousands of ragas, each conveying a specific mood-joy, eroticism, loneliness, etc. Says Saxophonist Shank: "Everybody says how free our music is, but in comparison with Indian music we are terrifically restricted. It's endless what a musician like...

Author: /time Magazine | Title: Instrumentalists: And Now the Sitar | 11/6/1964 | See Source »

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