Word: ragazzi
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...Italians looked far better against Romania than France did against the Netherlands. That wasn't difficult, and their urgency was apparent. "Presto, presto, ragazzi," pleaded one fan behind me. Playing Luca Toni and Alessandro Del Piero up front in their more traditional 4-4-2, the Azzurri pressed the attack with direct balls and along the wings in the first half, but the Romanians never panicked, maintaining their compact, fallback defense. Against the run of play Romania went ahead when Adrian Mutu anticipated Gianluca Zambrotta's back pass and blew a shot past Gianluigi Buffon in the 55th minute. Then...
...establishment, and whose international fame and personal popularity always seemed out of kilter with the modest size of his Green party, has retired from frontline politics. He left the Bundestag, the seat of parliament in central Berlin, with a wave at waiting reporters and a typically informal salutation: "Ciao, ragazzi." That exit marked the end not only of Fischer's ministerial career but of the government in which his party served as junior partners to the Social Democrats. "The red-green chapter which my generation wrote is irretrievably at an end," he commented later. Politicians raised in the social turmoil...
...Pasolini as a radical Communist and a great poet, or who saw his murder as a martyrdom. Pasolini was not terribly progressive, as compared with other Italian Communist poets such as Elio Vittorini, or Cesare Pavese. Pasolini's books denounced the social problems he saw around him; in "Ragazzi di Vita" ("Beach Boys of the City" and "Vita Violenta" ("Violent Life"), his two best-known prose works, he decried the barriers of class in contemporary Italy, the profound social divisions between regions, cities, even neighborhoods. His polemics against corruption, injustice, and violence at all levels of society have been compared...
...vision in his later works. Le Cenere di Gramsci written in the early fifties, already sees the world divided between an innocent proletariat (an urbanized "noble savage") and an evil, decadent bourgeoisie. His prose development follows a similar pattern; a growing rigidity of perception is apparent when one compares "Ragazzi di vita" (also written in the fifties) to "La Divina Mimesis," a parody of the Divine Comedy he was working on at his death. Pasolini always wrote in parables, but in his later work his symbols become estranged from any reality. "The Divine Mimesis" is full of wornout catchphrases...
...leftist even though his older brother was killed by a leftist group in a vicious slaughter--which turned out to be a tragic mistake. He supported the PCI despite the fact that they tried to disown him when his homosexuality first became known, only to reclaim him again when "Ragazzi di Vita made him famous...