Word: rage
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Dates: during 1950-1959
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...England's New Forest while strolling with Foreign Secretary Sir Edward Grey before World War I. At all times T.R. reserved his deepest contempt and his deepest rage for "the mollycoddle vote," "miserable little snobs" and "solemn reformers of the tomfool variety." They yelled back "Showoff!", "Blow-hard!", "Jingo!", "Cad!" T.R. was constantly embroiled in controversy and debate, and he reveled...
...plot concerns the trials of a Slovakian peasant girl named Katrena whose lover is found murdered in a forest clearing. At first suspected, Katrena is later cleared and promptly marries an earlier suitor named Ondrej. When she bears a child ahead of schedule, Ondrej flies into a jealous rage, reveals in a drunken soliloquy that he is the murderer, later confesses publicly. Katrena retires with her bastard child to live with old Stelina, father of her lover, and the chorus, as commentator on the action, concludes that "life sings of joy and sorrow...
When Pat's father learned what had happened to his son, he flew into a rage. Next day County School Superintendent J. W. Threatte called Teacher Baskin in, ordered her to explain to Mr. Taylor exactly what had happened. At first Minnie Lee Baskin did not feel that the matter was particularly urgent, decided to postpone her visit until after the Christmas holidays. When school reopened, the superintendent called her in again. The whole school board, he said, was up in arms. She had better see Taylor fast...
...long last, Igor bent forward and murmured: "Come tomorrow night"-then added: "I so want you to meet my wife." Igor and Dagmar "would sit for hours sipping Dubonnet while he unburdened himself" and inveighed against his critics. "Why do they blame me for my music?" he would rage. "Why don't they blame God? He gave me my gifts!" His mother refused to attend the famed Paris première of the Sacre du Printemps because, she said, "I don't think it's my kind of music...
Gervaise. Emile Zola's L'Assommoir, a vast cry of rage at man's fate, diminished by French taste into a touching story of a woman's ruin; with Maria Schell (TIME...