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Word: rage (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...this century has yet to offer, combining the rhythms of the symbolist tradition with the sharper forms of the imagists. When Fionn first learns that the two lovers have escaped, for instance. Clarke uses swift lines and the fierce play of light and dark to depict Fionn's tormented rage...

Author: By Gregory F. Lawless, | Title: Hot in the Smithy Of Irish Poetry | 5/23/1975 | See Source »

...performance that Marcel Marceau might envy. Perhaps his greatest tour de force so far is Roland Petit's Le Jeune Homme et la Mart. The ballet is a cartoon of existential angst, but, leaping over bed, chair and table, Baryshnikov turns it into a young man's rage at mortality...

Author: /time Magazine | Title: BARYSHNIKOV: GOTTA DANCE | 5/19/1975 | See Source »

...women seemed only to write from anger. But, as Spacks points out, anger is their strength, the energy fueling the female imagination. Too much of this fuel can cause a backfire, of course, and Spacks finds fault with Kate Millett for this reason. Indeed, those who enjoyed the rage in Millett's writing may be disappointed with Spacks's detached style...

Author: By Wendy B. Jackson, | Title: Women Under the Influence | 5/13/1975 | See Source »

Salt's adaptation follows West's novel closely in most of the plot details. It misses what is most crucial: West's tone of level rage and tilted compassion, his ability to make human even the most grotesque mockery. The novel, a series of interrelated sketches, does not have the strong narrative that lends itself best to film adaptation. So this movie has trouble finding a focus. The protagonist is Tod Hackett (William Atherton), an aspiring artist who works in the production department of a major studio. Hackett also nourishes a private vision of cataclysm, which...

Author: /time Magazine | Title: Cinema: The 8th Plague | 5/12/1975 | See Source »

...sleep in neatly ordered rows/She scatters dreams like the ashes of a diary page./I don't keep no records, don't look back./She comes she goes I don't keep track. /The floor is covered with her empty clothes./O my passion! O my rage!" Under McNamee's aegis. Lyon recorded two demonstration tapes for Columbia in 1970 and 1971. They are still in the can. After a lucky break ("I called up Columbia one day and told them my name and expressed the desire to audition, with the intention of making an album and becoming a star...

Author: By Paul K. Rowe, | Title: O My Passion | 5/8/1975 | See Source »

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