Word: rage
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Dates: during 1970-1979
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Trapped on the beach, watching the American naval vessels sailing serenely away, some Cuban exiles who thought that the mighty U.S. would never start a military operation without meticulous planning and an unshakable commitment to win, fired their guns in rage at the departing ships. Incredibly, none of Kennedy's CIA or military advisers had warned him that, faced with disaster, the invaders could not simply slip into the Escambray Mountains and carry on as anti-Castro guerrillas. The mountains were too far away, separated from the landing site by swamps, and the invaders had been given no training...
...three women in Father's Day have been left by their husbands. Their responses define their temperaments and personalities. Louise (Susan Tyrrell) is brash, her language is raw, and she is a comic spitfire. She is still in a towering rage over the divorce and harbors delusions of winning her husband back from his present wife...
...says Stoller, requires a victim. In real life the partner is supposed to play the part so that the hurt child can become a victorious adult in his sexual fantasies. It is a kind of theater in which the adult again and again conquers childhood fears. Says Stoller: "Triumph, rage, revenge, fear, anxiety, risk are all condensed into one complex buzz called 'sexual excitement.' " In Stoller's view, that buzz has an even harsher component: sadomasochism, the deriving of pleasure from inflicting or experiencing pain. As he puts it, "My hunch is that the desire to hurt...
...that novel, and the director's defects did not appear quite so plainly. In Portrait it becomes clear that Strick cannot even handle straightforward dramatic scenes energetically and forcefully. Nor is he very good with actors. Bosco Hogan, who looks the part of Stephen, cannot find the wit, rage and irony that are there to be mined, and no one else is permitted to explode emotionally either. The result is a film without drive, lilt or vision. Portrait is an academic reading of a classic, faithful in its way to the overall structure of the original, but entirely lacking...
...longer do any harm or good. "It was a curious irony of capitalism," he writes, "that among the only outlets rich enough and powerful enough to stand up to an overblown, occasionally reckless, otherwise unchallenged central government were journalistic institutions that had very, very secure financial bases." Hence the rage that so many politicians have felt when major news outlets threaten the status...