Word: rage
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Dates: during 2000-2009
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...says: "This is not the work of those who broke the law. It is the work of those operating within the law, those who pushed the law to the limit making loans the law allowed but, common sense dictated, should not have been made. ... deregulation has become all the rage ... if we somehow get past this, we must get serious about laws that ensure it never happens again...
...sketches of urban life have an unsentimental firmness and fineness about them. Still, for all his good nature and for all of Hawkins' energy, Happy-Go-Lucky did not play for me as a comedy. Its true subject seems to be anger. Call it deflected anger - a rage that is turned aside not solely by Poppy's relentless good cheer but by the fact that beneath her manner she is a sensible manager of relationships that are often on the verge of going out of control...
Take, for example, Poppy's driving lessons. They are conducted by an instructor named Scott (played by Eddie Marssan) in a state of rage, the suppression of which becomes more and more difficult for him. It's a great performance, in which unhappy autobiographical details leak out through perpetually clenched teeth. Scott's student is, of course, his opposite. He hates her boots - inappropriate, he believes, for serious engagement with the auto's pedals - and he hates the casual good cheer she brings into the claustrophobic car they are obliged to share, and above all he despises himself for being...
Loudness is not everything. Tom Morello ’86, having been a member of Rage Against the Machine and Audioslave—two bands that rocked out mightily—has decided to turn it down with his solo project, The Nightwatchman...
These songs show the problem with the very idea of a Morello folk album. Rage Against the Machine was one of the most important bands of the 90s, and Morello practically invented the genre of “Nu-metal,” but whatever you think of that movement you cannot say that it was subtle. Simplistic left-wing posturing works much better when coupled with loud, powerhouse riffs, and Zack de la Rocha’s rapping than it does here with Morello’s flat voice and only intermittently engaging instrumentation. The volume may have been...