Word: rage
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Dates: during 2000-2009
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...Trinculo (Molly O. Fitzpatrick ’11), to whom they swear an ill-fated allegiance, are very funny. Fitzpatrick, who brings a really wonderful, engaging ease to Trinculo’s drunken stumblings, is a perfect foil for Caliban’s spluttering rage. Kapetanovic does a terrific job of enjoying his new found servant(s): “Moon-calf!” he calls it/them...
...going to come out of this mess for Andy. He, of course, does not catch the drift toward disaster. Coolly smiling, eerily calm almost to the end, he keeps manufacturing work-arounds that, naturally, continue to make matters worse for him. In particular, he misjudges the towering and implacable rage for vengeance that comes upon his father...
...first film in which she appeared was the 1941 Major Barbara; she played a winsome Salvation Army lass under the tutelage of Hiller, the fresh-faced rage of the day. Kerr's radiance was both more demure and more alluring; and when pregnancy forced Hiller to drop out of Michael Powell and Emeric Pressburger's war epic The Life and Death of Colonel Blimp, Powell cast Kerr as the three women who, over a 40-year span, weave a romantic spell over the lead character. And over the co-director: Powell fell in love with her. During the shoot...
...been unable to combat. As many as 250 people, including some 45 soldiers, were killed in fierce fighting in Pakistan's tribal areas last week. Despite promises to the contrary, Musharraf was forced to use aircraft to bomb suspected militant hideouts, escalating the death toll and local anti-government rage. Some analysts are already calling the situation in North and South Waziristan, the locus of the fighting, a "civil war." On Friday, the eighth anniversary of Musharraf's coup, militants publicly beheaded six alleged criminals. A week before they executed three soldiers. "The situation in Waziristan is deteriorating rapidly," says...
...Sara, Alterman emanated a passionate and intimidating ferocity that, at times, verged on psychosis. While her yelling quickly became old, she effectively portrayed her character’s inner rage. Alterman’s performance was touching and powerful not because of how loud she could be, but because of the means by which she built tension between Sara and the audience. Alterman effectively revealed Sara’s cursing and screaming as an attempt to cope with her rape by a classmate ten years ago, and led us to understand how a minor character in one of Sara?...