Word: raging
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Dates: during 1880-1889
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Theatricals are all the rage in Princeton this season. The Dramatic Association is hard at work rehearsing Garrick's "Country Girl," and if last year's successes can be taken as a criterion, we predict a treat for all. The club has excellent material and seems endowed with an unusual amount of perseverance and enthusiasm...
...original plan and obtained a very gratifying result. The "coiffure" of the maiden thus evolved was such a delicious blending of wavy bangs, "Langtry twists," "French knots," "waterfalls" and curls that it has been adopted by a large majority as the college mode, and bids fair to become the rage all over the country. The "average girl" herself bore a striking resemblance to current likenesses of Minerva, though the mouth indicated a decided penchant for caramels and ice cream, and there was a suspicious droop of one eyelid, which showed the sensitiveness of the organ in question when exposed...
...Harvard student, to whom time is not money, will read with deep satisfaction the announcement that the Charles River horse cars may now be ridden upon for four cents. The outlook is now promising indeed. May we not expect that the railroad war thus inaugurated will rage with ever increasing fierceness until its results shall far exceed anything yet known in the history of Cambridge travelling? What can be more obvious than that the Cambridge road will promptly reduce its fares to three cents, and that the rival lines will continue to "see each other and go one lower" until...
...come to be one of the concomitants of our Boylston declamations, and arises rather from a diference of opinion than from any exception to the justice of the award. Nothing could be a greater proof of the efficiency of Mr. Jones' work toward eradicating the old-time rant and rage in speaking than the speaking of last evening. Self containment was the most notable characteristic of the speakers in genral. Although some unnaturalness in gesture and attitude was manifest, this arose rather from a lack of individual practice and from distinctive peculiarities than from any defect in the system...
This wonderful spectacle is nowhere seen to more advantage than in King Lear. For here we have a central figure too great and awe-inspiring to be lost in the confusion of the scene. Lear's voice, whether in rage, madness or contrition, is so powerful that all the whisperings and wranglings around him seem but its tumultuous echoes. The accompaniment of incidental action does not drown the voice of his supreme passion; and thus is avoided that fault which appears in some of Shakspere's historical plays, where the medley of sentiments and incidents is such that...