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...COVERED First-time novelist Susan Barker's book on salarymen and geisha in Osaka, Tsunami Nights, was all the rage at Frankfurt's book show in 2003; post-disaster, publisher Doubleday picked a new moniker: Sayonara...

Author: /time Magazine | Title: Language Lessons | 1/16/2005 | See Source »

...images from the West Bank and Gaza of Palestinian casualties and losses that served to inspire hate and rage against Israel and the United States in the Arab world. This time, images from the West Bank and Gaza of people standing in lines waiting to cast their votes will work in the opposite direction and transmit the notion that democracy and reform are within reach...

Author: By The Crimson Staff, | Title: A New Chairman | 1/14/2005 | See Source »

...happens, the tone and content of these films neatly bisected the mood of this year?s electorate. Moore?s documentary was angry, skeptical, wide-ranging, skipping from topic to topic, using comedy and sarcasm to convey moral rage; its hero was a grungy fat guy who ambushed his adversaries. Mel Gibson?s docudrama was stolid, bloody, humorless, remorseless, sticking to its micro-subject with macro implications, staying obsessively on point; its hero was a stern thin man who endured scourging and calumny in order to fulfill His mission. In other words, Moore embodied what the Right saw as Kerry...

Author: /time Magazine | Title: That Old Feeling: The Year in Docu-politics | 12/20/2004 | See Source »

...poems and dropped about a third of them; he also added a few poems that Plath had left out. That in itself is hardly a crime--even a genius needs a good editor once in a while--but Ariel contains a great deal of pain and sorrow and rage directed at Hughes. He was an exceptionally gifted poet himself--he would later become England's poet laureate--but if you're looking for a selfless, disinterested editor to reshape somebody's work, you do not hire the guy who just broke that person's heart...

Author: /time Magazine | Title: Poetry: The Way She Wanted It | 12/17/2004 | See Source »

...hide behind its boyish affability the way Laurence Olivier hid behind putty noses and funny accents. In Catch Me If You Can, DiCaprio's face was a blank check on which his character forged a career in duplicity. At other times, as in Gangs of New York, a rage can pop out like a monster in a lake. His face is too soft to be a tabula rasa; it is a pillow on which DiCaprio can embroider surprising emotions. That's why he is an actor, a gifted one, even more than he is a movie star...

Author: /time Magazine | Title: Movies: Looking for Hughes in the High Clouds | 12/17/2004 | See Source »

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