Word: ragingly
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Dates: during 2000-2009
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...tended to play in his past films’ quieter scenes. Here, he plays Barry Egan, a blue-suited salesperson with a warehouse office, seven emasculating sisters and a problem with emotional stability. Sandler’s performance is finely modulated, its simmering tenor punctuated by hilarious bursts of rage and passion. It’s a two-gear acting style that aligns marvelously with Anderson’s measured sense of storytelling...
...between fair and unfair characterizations, he understands the dimensions of forgiveness, and he’s enamored with the potential for magic in the everyday. Most of all, he believes in the self-improving power of love; it is love that provides a channel for Barry’s rage, turning him into a kind of superman—focused, empowered, yet dependent on Lena for his strength...
...energy grows to serve a normal, workable emotion; his outbursts are no longer meaningless cries into a void, but rather are to some self-improving purpose. And, as Barry uses his emotional problems to become a happier human being, Sandler channels his flair for comic instability and rage in such a way that it makes him a more effective and believable dramatic actor; when an evolving Barry, looking for Lena, lets loose at his sister midway through the film, the lack of artifice in Sandler’s performance is remarkable to behold...
...that a few terrorist attacks and street demonstrations are going to deter the U.S. Behind-the-lines harassment is unlikely present a serious tactical challenge to any invasion plan, and no matter how intense the rage on the Arab street, none of the traditionally pro-U.S. regimes in the Middle East world are currently challenged by a movement organizationally capable of seizing power. But fear of instability among Arab regimes continues to fuel an aversion to a war. And also, given that most are resigned to the inevitability of a war and are not about to break their longstanding...
...voice bellows not from some bearded firebrand but from Sumbal, a five-year-old girl in a bubble-gum-pink smock. After her speech, delivered with a child's pure-spun rage, Sumbal encounters TIME's correspondent, an American citizen. Trembling, she hides behind her teacher's legs and tries to bury her face in the baggy folds of his salwar kameez. This is her worst nightmare: after memorizing her diatribe against blood-thirsty Americans, one of them has come stalking up the ravines after...