Word: ragingly
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Dates: during 2000-2009
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From his Pakistani hideout, Hajji Mullah Sahib claims that former Taliban who have been absorbed into the Kandahar government--and there are many--maintain the rage. "They still do not want America in Afghanistan," he says. "No one does. I can tell you these commanders are working against America now and always will." Murmurs of endorsement rise up from the chorus of elders around him. "If all those with the government were happy with America, how could anyone be attacking the U.S. air base [in Kandahar] and getting away with it with such impunity?" he asks, referring to at least...
...From his Pakistani hideout, Hajji Mullah Sahib claims that former Taliban who have been absorbed into the Kandahar government--and there are many--maintain the rage. "They still do not want America in Afghanistan," he says. "No one does. I can tell you these commanders are working against America now and always will." Murmurs of endorsement rise up from the chorus of elders around him. "If all those with the government were happy with America, how could anyone be attacking the U.S. air base [in Kandahar] and getting away with it with such impunity?" he asks, referring to at least...
...still out in force. And Sidney: well, there's a little Sidney in all of us, or there should be - just a little. We need that goading inner voice to put some hustle in us, make us smell success, look for the side street to advancement, scream in recriminating rage. We need to be our own press agents. And if we aren't quite up for or down to the job, then let's hire a publicist to do it for us. There's a good indie outfit in midtown Manhattan, named for the patron saint of New York nightcrawlers...
...motionless. Her paradoxically lush and painterly style enhances the painting’s macabre and moribund tone. The pallid fleshy hues that dominate Saville’s palette and the thick, deliberate way in which she applies these colors contribute to an overall sense of impotent frustration and internal rage. The subject is clearly a victim, but is unclear who the victimizer is—perhaps internal mutilation or societal abuse...
It’s a bittersweet story. Viewers can expect to come out of the exhibit with conflicting emotions, ranging from rage to despair to hope. Organized by Myrna Balk, a Boston artist and social worker, the show features drawings by Nepalese women, as well as etchings and photographs by Balk that chronicle her experiences in Nepal and the social issues she faced during her time there...