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...Here's a hip new term for you. It seems that Robertson Davies' 1992 novel The Fifth Business (part of the Deptford Trilogy) is becoming all the rage again--specifically the meaning of that cryptic title. The Fifth Business refers to that all important character in a dramatic form that causes all the action to spiral out of control--without realizing it. Thus, you have the four "businesses"--the protagonist (Clinton), the antagonist (Starr), the love interest (Monica) and the figure presiding over the resolution (Hillary). And then you have the "fifth business"; in the Clinton scandal, it would...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: Soman's IN THE [K]NOW: A Pop Culture Compendium | 11/5/1999 | See Source »

...them, it was about Matthew Shepard. Because they dramatically reflected some of society's darkest influences - an acceptance of the persecution of gays - the media saw fit to hold the case up as an example. No one could justify the behavior of Dirkhising's assailants; there is no "pedophile rage" defense. But many in our society think that beating up gays is justifiable, and place the blame on the victims. And while such attitudes may change, sexual deviancy is timeless...

Author: /time Magazine | Title: Why One Murder Makes Page One and Another Is Lost in the News Briefs | 11/4/1999 | See Source »

...Rage Against the Machine's new album, The Battle of Los Angeles (Epic), is a landmark not only because it's an exhilarating mix of hip-hop and hard rock, but also because it's a winning fusion of loud music and intelligence. This is music that bounces like a gangsta rapper's lowrider, snarls like Nine Inch Nails, and yet speaks out on issues with insurgent eloquence. In the early '90s, bands like Nirvana played loud, punkish music that thoughtfully expressed their alienation. Today, novelty acts like Blink 182 play loud, dumb music proudly, and the gap between...

Author: /time Magazine | Title: Music: Revolutionary Rock | 11/1/1999 | See Source »

Unlike many other hard-rock bands, Rage, as guitarist Tom Morello puts it, has "social and political" concerns. Indeed, in an interview, De la Rocha sounds off on a wide range of topics. He ridicules New York City mayor Rudolph Giuliani: "There's nothing more dangerous than a fascist with aspiration for higher office." He's also critical of Sean ("Puffy") Combs: "If Reagan were a rapper, he'd be in Puff Daddy's crew. It's the same set of politics. Get yours. F___ everyone else. Just get paid. Don't think about community...

Author: /time Magazine | Title: Music: Revolutionary Rock | 11/1/1999 | See Source »

...roots of De la Rocha's rage are in his hometown of Irvine, Calif. He went to a mostly white high school where, as a Chicano, he seethed at racist comments about "wetbacks" made by students and teachers alike. At age 17, he saw a show by the black punk group Bad Brains, and it was "a personal revolution." De la Rocha, Morello, drummer Brad Wilk and bassist Tim Commerford formed Rage...

Author: /time Magazine | Title: Music: Revolutionary Rock | 11/1/1999 | See Source »

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