Word: ragingly
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...revenge for perceived -- or real -- social exclusion. In a culture that has since World War II been built primarily around the television set, the coverage devoted to high school shootings has to have an allure for the angry outsiders searching for the most dramatic means available to express their rage...
...people at Jive Electro claim that Bryant Street recalls the "haunting seriousness" of Rage Against The Machine and the "melodic touch" of Led Zeppelin. Apparently, they have the version of "Led Zeppelin 4" where Page and Plant tinker around with drum machines and 303s as they try to create the definitive house anthem. Or maybe not. Fortunately, these dubious comparisons don't detract from the exquisite deep house sound of this album. Dubtribe Sound System are Sunshine and Moonbeam, a duo more usually seen playing live than recording, and judging from this effort, they must send dance floors mad. Flavored...
...people at Jive Electro Claim that Bryant Street recalls the "haunting seriousness" of Rage Against The Machine and the "melodic touch" of Led Zeppelin. Apparently, they have the version of "Led Zeppelin 4" where Page and Plant tinker around with drum machines and 303s as they try to create the definitive house anthem. Or maybe not. Fortunately, these dubious comparisons don't detract from the exquisite deep house sound of this album. Dubtribe Sound System are Sunshine and Moonbeam, a duo more usually seen playing live than recording, and judging from this effort, they must send dance floors mad. Flavored...
...kiddie and young adult crowds. Reinterpretations of more mature films (Cruel Intentions), better 80s precursors (Can't Hardly Wait), genre-defining teensploitation (She's All That) and even Shakespeare (10 Things I Hate About You) are glutting the cineplexes across America. Adolescent remakes and conspicuous consumption are the rage with the youthful masses, and entertainment value is predicated not on plot creativity but on recognizable faces...
...young adult crowds. Reinterpretations of more mature films (Cruel Intentions), better 80s precursors (Can't Hardly Wait), genre-defining teensploitation (She's All That) and even Shakespeare (10 Things I Hate About You) are glutting the Cineplex’s across America. Adolescent remarks and conspicuous consumption are the rage with the youthful masses, and entertainment value is predicated not on plot creativity but on recognizable faces...