Word: ragingly
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Acting on that epiphany, she decides to report this "sexual misconduct" to a review board--severely damaging John's chances at tenure. He, of course, is dumbfounded, oblivious to any wrong-doing on his part. In the final act, the situation has reached its crisis: her feminist rage clashes against his defensive indignation until they both collapse...
...lopsided dynamics of Who's Got Who are a teetery transition into the final act, when the two characters make their fiercest lunges for each other's throats. The Loeb production had its strongest moments here, as both actors uncovered a layer of rage they had not yet tapped. Their physical movements, formerly cagey and dry, were freer, sharper and more open. But by then, the show had already shipwrecked, its narrative power sunk by an essential emotional emptiness...
...point in Act Three, Carol challenges John, "Do you hold yourself innocent of the charge of sexual exploitativeness?" Kaye bellowed the words with ardor, but as Davidson answered, her face and body went totally slack: her fists emptied, her brow unfurrowed, her posture slumped. She seemed to miss that rage exists in Carol's being, not in her words. The desperation, the wounded fury that motivate that kind of indictment, vanished as soon as her line was finished. An actor's seams should not show like this...
...comic's late-night years he was a defiantly brave presence on TV. His cloying manner with guests could be maddening, but Hall kept up his earnestly ingratiating style at a pre-Rosie O'Donnell moment in pop-cultural history when sunny-eyed kindness wasn't all the rage. Going against the grain, he used niceness to build a hit show at a time--the late '80s and early '90s--when David Letterman's ironic distance set the standard for talk-show cool and a subversive little sitcom called The Simpsons first made its way onto the must-watch list...
Then later, the same man, with real trouble now, not the borrowed kind, makes a jail visit. His junkie brother, guilty of a senseless killing, has managed to kill himself by driving a hypodermic needle into his heart. Rage, love, disgust, self-loathing--there are the beginnings here of a dozen strong novels to come, bound by racial memory of the slave ship: "At night I hear their voices, huddled close to each other. The memories beat louder and louder against my skull. Above it all, I hear the wailing, see the water...