Word: ragingly
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They needn't have fretted about money. Millennium has played to 98% of capacity and repaid a third of its investment. And as for the supposedly easy part, mounting the second half? One $2 million nightmare later, after daily rewrites, stagehand mania, 49 foregone performances (to the occasional rage of ticketholders who traveled from as far as Maine) and cuts of nearly an hour once Perestroika was already in previews, the most awaited -- and beleaguered -- dramatic event of the Broadway season officially opened last week. If less profound than it pretends to be and a bit repetitively in love with...
Dominating them is the Caesar character, Max Prince, played by Nathan Lane with such adrenal zest and unquenchable rage that his face keeps turning purple and his eyeballs all but explode. Lane evokes Jackie Gleason more than Caesar as he bellows and punches through walls. The difference, as Simon knows from having served both, is that Caesar huddled with his writers while Gleason demanded that the finished script just be slipped under the door...
...Genet's commitment to revolutionary ideology was weak, his rage at those in power--anywhere--was so intense that it occasionally shocked even those for whom he purported to speak. The first cast to perform the anti-colonial The Blacks in Paris was mostly made up of African immigrants. These cosmopolitan hyphenated Frenchmen, according to White, had some trouble working up the demonic rage he gave his characters. In handling incidents like these, thick with politics and personalities, White manages to deal with both and distort neither. He never loses track of Genet's peculiar psychology or the very real...
...tensions between old-timers and new arrivals remain. George Karafilidis, a tailor whose Greek family has owned a business in Lowell for 35 years, complains that newcomers are ruining his neighborhood. When a reporter reminds him that his relatives were immigrants, Karafilidis flies into a rage and bellows, "Don't come in here and talk to me about immigrants...
None of this, of course, is new: Chinese silks were all the rage in Rome centuries ago, and Alexandria before the time of Christ was a paradigm of the modern universal city. Not even American eclecticism is new: many a small town has long known Chinese restaurants, Indian doctors and Lebanese grocers. But now all these cultures are crossing at the speed of light. And the rising diversity of the planet is something more than mere cosmopolitanism: it is a fundamental recoloring of the very complexion of societies. Cities like Paris, or Hong Kong, have always had a soigne, international...