Word: ragingly
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McNeal does a good job of responding to Cohen's hysterics, however. He has a plausible amount of skepticism and reserve at the beginning, but waits too long to reveal hint of his inner rage. This results in some difficulties mustering up the emotional heat for his long monologue. Director Charles Guerrero has taken a different and interesting interpretation of Baraka's Clay: this Clay is pin-stripe suited, slightly effeminate, and it is hard to consider him physically threatening...
...with this intellectual "freedom," Alf takes his liberty in spinning James Buchanan's story with Updike's fictional sense of character, scene, detail and above all, sexual frustration. Historical fiction is all the rage these days--from Umberto Eco to Susan Sontag and now to Updike. The "facts" may not be true, but maybe it's more interesting that way. There isn't much of a market for books on Buchanan--even in his home town--but Updike's book will deservedly land on best seller lists...
...with consistent, rapid-fire bass playing. He also collaborates with Nash to write emotional, from-the-heart lyrics. Like alternative rock singers Black Francis (of the Pixies) and Thurston Moore (of Sonic Youth), Nash has the ability to switch her voice from a peaceful lullaby one moment to a rage-filled shriek the next. Her voice quietly draws in the listener before overwhelming with her sheer power...
...leave each in disappointment at their failure to save lives, not least, prospectively, his own. Ned is as hilariously self-congratulatory and self-critical as he was in the Kramer play that introduced him, The Normal Heart, and Jonathan Hadary gives the performance of the year balancing his rage and puckish mockery...
West gives the example of rapper Willie D, whose heart he says has been "colonized by rage," due to this lack of hope...