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...good reason, since the idea is crazy. Even Goldman recognizes that the discipline accepted by the Beatles proved liberating. With the album Rubber Soul, he writes, "Lennon was employing the new medium of pop song like a serious artist." In fact, when Lennon could harness his wit and rage within commercial demands, he simply blew away restraints and claimed new territory for the popular imagination. What, then, compelled him to destroy the most successful performing group on earth? Why did he consign his fate to a woman who would later ask friends, "How can that oaf be so successful when...

Author: /time Magazine | Title: Books: Challenging The Myth Machine: THE LIVES OF JOHN LENNON | 9/12/1988 | See Source »

...Romans, the Dutch, the Chinese and a few others over the years have been willing to take partial responsibility, reasoning that any grassy place with shepherds and crooks might have done it. After all, what is more inevitable than a man lifting a club to vent some hideous rage on the most innocent object in his path...

Author: /time Magazine | Title: Sport: The Misty Birthplace of Golf | 8/29/1988 | See Source »

...Cactus Jack" Garner, who had called the office nothing more than a "pitcher of warm spit," and said Speaker Sam Rayburn had told him to stay far away from it. If he could not be President, he would stay in the Senate, Johnson had told me with such rage and finality -- his nose an inch from mine -- that I chalked...

Author: /time Magazine | Title: The Democrats The Presidency: Boston-Austin Was an Accident | 7/25/1988 | See Source »

Johns cites his own early paintings, those of his contemporaries (Barnett Newman, for instance) and those of past masters -- Durer, Grunewald, Picasso. His indirectness and liking for allusion coexist with something akin to physical rage: the body parts in his paintings speak of dismemberment, not mere anatomy. His diagonal cross-hatchings are both subtle and banal, for Johns' scrutiny flickers in a perplexing, teasing way between simple pattern recognition and active, probing attention -- so that something quite unremarkable as an image can swell up into a ravishing pictorial event. Sometimes one is excluded; it is like eavesdropping...

Author: /time Magazine | Title: Art: The Venice Biennale Bounces Back | 7/25/1988 | See Source »

Only in the deathbed pages does Monette get sufficiently out of himself to write clearly and well. It is a saving grace after his career chatter, social calendar and hyperbolic rage against the Government. When he pops off about sexual hypocrisy, he mixes some astoundingly inappropriate metaphors: "I realize that in the world of the heterosexual there is a generalized lip service paid to exclusive monogamy, a notion most vividly honored in the breach...

Author: /time Magazine | Title: Books: Journals of The Plague Years | 7/18/1988 | See Source »

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