Word: ragingly
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...their Front Page-filtered notion of how Americans, particularly journalists, talk--the hardboiled, crackerjack repartee. Neither nor Beatty nor Griffiths has the emotional equipment as writers to give Eugene O'Neill (Jack Nicholson)--who has an affair with Bryant when Reed is at a convention--the raging, messy confessional speech he so obviously needs; and so O'Neill puts it in a letter which we never see. They keep Nicholson brooding in the shadows like a character in film noir, relying on our memories of his explosions in other films to know that he has it in him. Real blood...
...kids who want to ride and not push, there used to be any number of options, from the traditional kiddy-cart to the sporty Big Wheel. This year, though, the "Shoe-Skate Rider." seems all the rage. Now, this takes a little explaining. Imagine one of those running shoes/roller skates; now imagine it three times lifesize and made entirely out of cheap plastic. Now imagine buying...
...level, The Crucible is a play to frighten an audience senseless. Proctor may triumph morally or he may not, as the viewer must decide. But Miller holds out no hope for the other victims of Salem's madness, nor any reassuring suggestion that that madness is confined to rage amid Salem's cold, rocky farms and Puritan gowns and breeches. In the sure hands of Diekman and company, the play doesn't need Cambridge's snowstorm, or Harvard's heritage, or even Cabot's dark wood fireplace to strike close to home...
...controversies rage this year in light of cuts. The Council decided it would make more sense to cut some grants altogether and increase others significantly than to take a little bit from everybody; artists are still screaming, playwrights are boycotting conferences, hysterical letters from theatre companies and orchestras take their place on editorial pages beside tireless letters of explanation from Sir Roy Shaw and equally polarized columns by arts critics and culture-watchers. But the London theatre has rarely been healtheir. This year's Edinburgh Festival--a staggering assortment of fringe theatre companies, musicians and artists--was, even...
...Oxford-cloth collars, straps on raincoats and safety pins on kilted skirts. These fastenings strike the author as powerful agents of emotional restraint. Punkers, on the other hand, leave zippers sagging, shirts unbuttoned and wear safety pins through their cheeks as though the flesh itself is literally exploding with rage. The styles may be disparate, Lurie concludes, but "both graphically convey the sense of a world, or a personality, in grave danger of coming apart...