Word: ragingly
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...never really commanding his character. Turner is good as the victimized soldier, quietly bowing to his captain's abuse while even more quietly considering twisting the blade of the razor with which he shaves him. And Turner is equally good in the scene of the jealous lover, spitting out rage and a disgust of the flesh worthy of an Othello. But he does not convey Woyzeck's slow emotional deterioration and the enlightenment that should come with the consciousness of his own fall. The recognition that society has made "one thing after another" happen in his life is Woyzekc...
According to the handful of foreigners who were present, the protest soon expanded into a general expression of rage against the radical drift of Chinese politics since Chou's death. One eulogy pinned to a memorial wreath pointedly praised Mao's late second wife Yang K'ai-hui-an unmistakable slight to the Chairman's current (and fourth) wife, Radical Leader Chiang Ch'ing, who is Teng's implacable enemy. Even more astonishing, a poem circulated at the protest read: "Gone for good is Ch'in Shih Huang feudal society...
...deep. Keep it simple. Any good comedian can lead an audience by the nose. But only in the direction they're going. And that direction is, quite simply, escape." The two who follow Challenon's advice win. The boy (Kenneth Cranham) who goes into a brilliantly pantomimed rage against two cardboard effigies of the middle class loses. What he epitomizes is about as funny as death, the price a British Lenny Bruce might have to pay for acceptance. T.E. Kalem
Friendly Fire is not another self-righteous lamentation about the U.S.'s tragic blunderings in Southeast Asia; rather, it is as close to elemental tragedy as any nonfiction account to come out of the war. Bryan conveys Peg Mul len's grief and rage with such purity and tact that at times she seems like a Mid dle Western Antigone, challenging the authority of the state in the name of what individuals hold most sacred. This might be too high-blown a comparison for the farmer's wife to accept. But she would probably agree with Sophocles...
...faculty: immersed in the 20th century and lacking any nostalgia, he could feel what was coming. The ruins of The Petrified City (1933) are both an aftertaste of the first World War and a foretaste of the second, and The Angel of Earth (1937), a monster prancing in devouring rage across a flat landscape, had more than a fortuitous connection with the advance of fascism. In Europe After the Rain (1940-42), Ernst produced a vision of spongy, iridescent ruins that deserves a place with Picasso's Guernica as one of the supreme documents of historical evil...