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...Poet Coffin thinks that "the materials for ballads are still being made up every day out of the whole cloth of human nature." This good-tempered, able-bodied collection of folksy poems, is made up out of some State-of-Maine-colored fragments from human nature's rural rag...

Author: /time Magazine | Title: Fiction: Recent Books: Sep. 19, 1938 | 9/19/1938 | See Source »

...Manhattan's East River Gallery, the first one-man show of a 28-year-old New York artist named Loren Maclver. The best of these pictures brought yelps of pleasure from critics who have long complained that much U. S. painting shows the imaginative audacity of a dish rag. One of them. Procession of Small Beings, was close to a Klee fantasy except for its peculiarly vernal, blues and grays and its air of non-human humor. More evocative than Klee paintings, many Maclver paintings had to be looked at just as long before her nifty effects of specific...

Author: /time Magazine | Title: Art: Ideas & Illuminations | 4/11/1938 | See Source »

...Negro named Strap Heel danced the buck-and-wing. At the time Harney's violently syncopated pianism, which according to contemporaries "could be heard for blocks around," was regarded as a passing fad. But it caught on so rapidly that by 1897 Harney was encouraged to publish his Rag-Time Instructor, first pedagogical treatise on the art of ragtime, now a collector's item...

Author: /time Magazine | Title: MUSIC: Ragtime's Father | 3/14/1938 | See Source »

Pianist Harney, who had toured the West and Midwest long before he started the craze in Manhattan, launched a nation-wide school of ragtime composers, active during the early 1900s. Prominent followers included Lucky Roberts (Pork and Beans), Scott Joplin (Maple Leaf Rag), Northrup & Confare (Cannon Ball), George Botsford (Texas Steer Rag), and Earl K. Smith (Hot Ashes). Oldtimers who heard Harney do his stuff, recall that his playing sounded very much like that of Zez Confrey (Kitten on the Keys), a little like Fats Waller...

Author: /time Magazine | Title: MUSIC: Ragtime's Father | 3/14/1938 | See Source »

What the Goodman concert amounted to was 14 foxtrots, some new, some classics like Sensation Rag and I'm Comin' Virginia, most of which the Goodman band had recorded. Also played was the celebrated set piece Sing, Sing, Sing, notable for demoniac Gfene Krupa's imperious drum beat and Teddy Wilson's rippling piano. But the event of the evening was the "jam session," effacingly noted as "no doubt the greatest contradiction a swing program could offer," but in effect a blaring success. Amiable Mr. Goodman seated himself in his reed section, his professional spectacles gleaming...

Author: /time Magazine | Title: Music: Joint Rocked | 1/24/1938 | See Source »

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