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...film, directed by Sam Raimi and written by David Koepp, is a faithful adaptation of the Stan Lee original--faithful to a fault. Spidey, a.k.a. Peter Parker (Tobey Maguire), is still the teen dweeb from Queens with a crush on the girl next door (Kirsten Dunst), a dose of genetically altered spider DNA in his veins and a compulsion to save the world from the gaudy Green Goblin (Willem Dafoe). Sure, he can leap tall buildings with several sticky bounds, but he's also nearly grounded by a load of unresolved guilt. Plenty of classic heroes--Oedipus, Hamlet, Luke Skywalker...

Author: /time Magazine | Title: Movies: Spidey Swings | 5/6/2002 | See Source »

...superhero struggles with a crippling weakness, a desire he/she can never fulfill, or, like Spider-Man, a tragic past that motivates his heroic deeds. Spider-Man fights criminals because they killed his dear Uncle Ben. So swoon, people, swoon. To the relief of comics-fans everywhere, director Sam Raimi seems to understand this essential appeal Marvel’s beloved frontman. In all likelihood, Spider-Man will explode in a mélange of all things stunning, wowing, even endearing. I don’t think any of us will be disappointed...

Author: By Stephanie L. Lim, CONTRIBUTING WRITER | Title: Along Came a Spider | 5/3/2002 | See Source »

STARRING: Cate Blanchett, Keanu Reeves DIRECTOR: Sam Raimi OPENS: Dec. 20 in L.A.; wide...

Author: /time Magazine | Title: The Twelve Films Of Christmas | 12/25/2000 | See Source »

...movie has gone goofily gothic--more Wes Craven than Truman Capote--and you may be convinced that director Raimi meant The Gift to be a deadpan postmodernist horror comedy. The sole evidence to the contrary is Blanchett's performance: persuasive, subtle, impeccable. She seems the only guardian of sanity in this good-old-boy Bellevue...

Author: /time Magazine | Title: The Twelve Films Of Christmas | 12/25/2000 | See Source »

...Thornton and Tom Epperson; it is given to violent outbursts amid its sullen patches, and plot twists that don't strain plausibility so much as ignore it. By the end, the movie has gone goofily gothic - more Wes Craven than Truman Capote - and you may be convinced that director Raimi meant "The Gift" to be a deadpan postmodernist horror comedy. The sole evidence to the contrary is Blanchett's performance: persuasive, subtle, impeccable. She seems the only guardian of sanity in this good-old-boy Bellevue...

Author: /time Magazine | Title: Christmas Movie Preview | 12/15/2000 | See Source »

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