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Word: raimondi (lookup in dictionary) (lookup stats)
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...deed given to an artist by the government stating that no one can copy their work. Some walls display a juxtaposition of originals with their respective copies; frequently though, the copies stand alone. It is organized thematically, according to the different media copied, and focuses mostly on the Durer/Marcantonio Raimondi pieces in the hallway as a point of departure for considering all of the other prints...

Author: By Brooke M. Lampley, CONTRIBUTING WRITER | Title: Art Imitates Art at the Fogg Museum | 11/20/1998 | See Source »

...would give you, me or Jesse Helms a hernia. These, like so much of Giulio's other work, may have come from a classical prototype: the spintriae, or tokens, stamped with obscene designs that were used for entry to Roman brothels in the second century A.D. The engraver Marcantonio Raimondi turned Giulio's I Modi (Ways, for short) into prints, and in this form they became enormously popular. They are still the most famous examples of visual pornography in Western art, although four centuries of attrition by prudery have destroyed almost all of them...

Author: /time Magazine | Title: Art: Between The Sistine, And Disney | 11/6/1989 | See Source »

...Giorgionesque engravers Giulio and Domenico Campagnola. Watteau copies one Campagnola landscape; Rubens takes a motif from another, Rembrandt from a third. These hard, wiry- lined little engravings, with their slightly metallic nudes and sudden dark explosions of vegetation, are to the circulation of ideas about landscape what Marcantonio Raimondi's copies after Raphael are to the human figure: veritable talismans of influence...

Author: /time Magazine | Title: Art: The Club Med of the Humanists, from Giorgione to Matisse | 12/5/1988 | See Source »

...following the rules is hard/If you don't love me, I love you/And if I love you, then be on your guard." And with these lines from "Habaneras" the stage is set for the fateful love triangle involving gypsy Carmen, Don Jose (Placido Domingo) and the bullfighter Escamillio (Ruggero Raimondi...

Author: By William S. Benjamin, | Title: Bringing Good Opera to the People | 10/24/1984 | See Source »

...individual performances are nearly flawless. Mignes-Johnson combines a mesmerizing screen presence with a powerful voice. Both tenor Domingo and baritone Raimondi are also on the mark, although their acting is stiffer than Mignes-Johnson's. One only hopes that the soundtrack has been doctored as little as possible, because that would add a technological taint to what appears to be a wholly natural and soaring film...

Author: By William S. Benjamin, | Title: Bringing Good Opera to the People | 10/24/1984 | See Source »

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