Word: rainbowed
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...weird and as familiar as a dream. Behind a bare tree in the background hover the Philistines, ready to pounce upon the sheared ram of God. Watteau's study of lovers in a park makes black, white and red stand for all the colors of the rainbow. In Watteau, love and laughter blend into one. To round the gallery corner to Goya's Two Prisoners in Irons can be like taking a header off a cliff. Unlike the monster-painters, whose malformed "images of man" are the latest art fad (TIME, Sept. 7), Goya made the victims...
...pupils, the red defining lines of the nose and mouth, and the curious (and heavily painted) medallion all contribute to this great self-portrait's emotional intensity. My next favorite is Degas' La Chanteuse au Gant, a painting in which the design of the black glove brilliantly counterpoints the rainbow of vibrant colors found in the background curtains. Another masterwork in the collection is Manet's Le Skating, in which quick brushwork, a masterful array of greys, blues and blacks, and an opaque face as focal point, are used to great effect. A magnificent Renoir Bagneuse is next, with blended...
Author Lipton, a minor poet and novelist (Rainbow at Midnight, In Secret Battle), is well situated to serve as middleman between the beatniks and the squares. He owns a necktie, and he lives in a seaside slum of Los Angeles called Venice West, which is as cool and beat as a mentholated eggnog. Lipton himself is not really beat, but because of his advanced age (58) and full refrigerator, he is allowed to serve as Big Dada to the tribe...
Nature was Bonnard's intimate tutor, but no vain one; he never held a mirror up to her. What he strove for and kept reaching for was the evanescent sense of revelation in nature-tremulous and transient as a rainbow...
Gauguin's paintings are universally admired for the colors of a world sun-filled and yet without glare, various and yet disciplined like the rainbow. His woodcuts-generally printed in no more than two colors each-are far less known, but rightly emphasized in Chicago's show. Gauguin's Here We Love evokes that shadowland beneath the waterfall from which no traveler returns unchanged. His picture of a night-time bonfire conference is ominous with invisible evil (see below). Gauguin could create natural atmospheres with colors, and could create supernatural ones with ink alone...