Word: rainbows
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...impressive wide-screen episodes: a gun fight at a water hole in the gullied, mountain-rimmed desert near Fort Delivery; the punishment of a cowardly trooper who, before the eyes of the assembled garrison, is branded on the hips with the letter D for deserter; the Indian encampment of Rainbow Son-Horgan's fictional version of Geronimo-deep in Mexico's Sierra Madre. Curiously, the battlescapes are poorly drawn, and may result from Horgan's dour knowledge that the Apaches invariably melted away when confronted with regular troops. Unfortunately for the balance of his book, the weight...
...Players and hit the big time after he directed Lynn Fontanne and Alfred Lunt in Robert Sherwood's Idiot's Delight (1936) and in Jean Giradoux's Amphitryon 38 (1937), went on -to stage Life with Father (1939), Arsenic and Old Lace (1941), Finian's Rainbow (1947), and The Great Sebastians (1956); in Manhattan...
...grim, cliff-faced German named Max Beckmann arrived in the U.S. He was without honor in his own country; Hitler had branded him a "degenerate painter" and hounded him from the land. He had spent the war years in semi-hiding in Amsterdam, developing his own rainbow-hued brand of German expressionism. Imported by Washington University in St. Louis to teach art, Beckmann set about changing the course of American painting, and kept at it until his death in 1950. Although he himself was never an abstract painter, the New York school of abstract expressionists owes much to Beckmann...
Will Beckmann's work live? No doubt, but for an unexpected reason: he commanded the rainbow; his use of color is as tender as a gardener's and as gracious as that of the most subtle housewife. He was less rough than he thought...
...teach its lessons north of the Alps. Returning to Nurenberg, Dürer brought about a flowering of German and Flemish art in the early 16th century that ranks with the great moments of art history. The northern Renaissance was cooler, more metaphysical and clear-lined than its sensuous, rainbow-hued Italian source. If the Italians were sometimes overdramatic, the northerners were sometimes overintellectual, like Dürer himself. Although equally flawed, the masters of the two schools were also equal in greatness...