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...hotly disputed stock on the Big Board of art. The arguments about it are going to go on for quite a while, partly because few generalizations hold across a field of painters whose work varies so wildly in meaning and quality. What can be said of raucous ephemerids like Rainer Petting that will also apply to deeper men like Anselm Kiefer? The Germans, understandably, have extolled all of it because the resurgence of expressionist figuration offers a way out of the cul-de-sac in which German painting and sculpture found themselves after 1945. Hitler had trashed the avantgarde, driving...

Author: /time Magazine | Title: Art: German Expressionism Lives | 8/8/1983 | See Source »

...rhyming--and then suddenly hit a resounding, one-syllabic word with a long vowel. Such techniques allow him to reemphasize the language of poetry, as distinct from prose, without seeming artificial. The elegance of Williamson's tone lends him the dramatic, questioning role of the nineteenth-century German poet Rainer Maria Rilke in "Leaving for Islands...

Author: By Naomi L. Pierce, | Title: Eye-Opener | 3/19/1983 | See Source »

Writer-Director Rainer Werner Fassbinder, who died last June at 36, was a cauterizer of the German body politic. In the 1977 telefilm (reduced from three hours to 110 minutes for theatrical release), he portrays Hanni and Xaverl not simply as predator and willing prey but as victims of both economic hypocrisy and puritan prurience. Nor is the viewer exempt: he must peek at Hanni's lovemaking through frosted train windows and the billowing lace curtains of the middle class. The leading actors are exemplary: Trissenaar, porcelain-skinned and angel-faced and scarily self-possessed, and Raab, the perpetual...

Author: /time Magazine | Title: Cinema: Alive and Well in Europe | 1/24/1983 | See Source »

Herzog's compatriots, gimlet-eyed burghers such as Volker Schlondorff, Wim Wenders and the late Rainer Werner Fassbinder, made their mark by refracting the cynical spirit of postwar Germany through a lens as hip as the new Hollywood's. Herzog renounces the rubble and babble of his homeland; none of his nine fiction features is wholly set there. Instead, he is drawn to legends and nightmares. In Aguirre, the Wrath of God (1973), a Spanish officer of the 16th century dreams of conquering South America and ends up alone on a raft, blithe and demented, lording it over...

Author: /time Magazine | Title: Cinema: Did You Ever See a Boat Walking? | 10/25/1982 | See Source »

...Under Article 67 of West Germany's constitutional Basic Law, a simple majority of deputies in the 497-seat Bundestag can remove the Chancellor provided that they "constructively" designate a successor. As Christian Democratic leader in 1972, Rainer Barzel tried and failed to use the provision to topple Social Democratic Chancellor Willy Brandt...

Author: /time Magazine | Title: West Germany: Changing of the Guard | 10/11/1982 | See Source »

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