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Word: rainey (lookup in dictionary) (lookup stats)
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...middle distance races, Beth Pfefferle took the 800 meters in 2:17.4. Meredith Rainey won the 400 meters and Carol Kirton took second...

Author: By Chris Thorne, | Title: Women Harriers First in GBCs | 5/2/1988 | See Source »

...Crimson women flew sky high, as Rainey set an all-time Harvard record in the 200 meters at 24.5 seconds. Rainey placed second and Dowling came in fifth. In the 100 meter dash, Dowling took third and Michelle Davis placed fifth. Harvard's Katrina Posta and Allison Goodman finished second and third, respectively, in the 100 meter hurdles, and Co-Captain Nancy Lutz took second in the 400 meter intermediate hurdles...

Author: By Chris Thorne, | Title: Women Harriers First in GBCs | 5/2/1988 | See Source »

...women's team also fell to Yale, but it was a closer meet. The Crimson women swept the intermediate hurdles. Sophomore Meredith Rainey won the 200m, 400m, 400m and mile relays. In the 400m, Rainey took on the worst conditions of the meet and beat the competition by several strides...

Author: By Chris Thorne, | Title: Harriers Fall to Yale; Weather Hurts Squads | 4/25/1988 | See Source »

...writing, first poetry, then folktale adaptations for performance at a science museum, then plays. By the time Wilson, 42, brought his poignant Joe Turner's Come and Gone to Broadway last week, he had established himself as the foremost dramatist of the American black experience. His Broadway debut, Ma Rainey's Black Bottom, ran nearly ten months and earned the 1985 New York Drama Critics Circle prize. Fences won the theater's triple crown -- the 1987 Tony, Pulitzer Prize and Critics Circle award -- and is still playing, having set a record for nonmusicals by grossing $11 million its first year...

Author: /time Magazine | Title: Theater: Exorcising The Demons of Memory | 4/11/1988 | See Source »

...dramas, reflecting black life in each decade of this century. In 1982, through the playwright-development program at Connecticut's O'Neill Theater Center, he met Lloyd Richards, dean of Yale's drama school, who offered the plays a home -- staging them at Yale and later on Broadway. Ma Rainey, the first of their collaborations, depicts a 1920s blues singer who deals with segregation by staying fiercely within a black subculture. Fences, set in the 1950s on the eve of the civil rights era, centers on an embittered former baseball player, too old for the majors when the color...

Author: /time Magazine | Title: Theater: Exorcising The Demons of Memory | 4/11/1988 | See Source »

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