Word: raisa
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Dates: during 1930-1939
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...smoothly-run performance of Halevy's La Juive, in which Tenor Giovanni Martinelli surpassed himself as the bearded old Jew while that plump, dependable songstress, Elisabeth Rethberg, took the part of the heroine who is finally plopped into a caldron, boiled in oil. In Chicago, Soprano Rosa Raisa was condemned to sizzle at the stake in Respighi's La Fiamma, proved her popularity by getting loud applause when neither her singing nor acting was more than mediocre...
...Conductor for the occasion was dynamic Franco Ghione, who had traveled from Italy especially for The Dybbuk, seemed to have the score completely at his finger tips. Conventional was the pale-faced Hanan, interpreted by Frederick Jagel, Brooklyn-born tenor from the Metropolitan Opera. Highest-priced singer was Rosa Raisa, whose Jewish blood helped her to look the part of Leah. Even so, her top notes were raspy, often insecure. The singer who did best by the English text was Contralto Pauline Pierce, a comparative unknown who took the part of Leah's handmaiden...
...Detroiters applauded indiscriminately for Raisa, Jagel, Ghione, raised the loudest tumult when Ghione made for the wings, led out Thaddeus Wronski, the stalky, middle-aged Polish basso who has long fathered the cause of opera in Detroit. Wronski made his first attempt as a producer in 1923 with an outdoor Aïda in the University Stadium. That night it was so hot that the grease paint streamed down the singers' faces. When the performance was about to begin a wind squall broke, blew down the Egyptian temple which was supposed to serve as the first-act scenery. Faithful...
...worst season of opera that a resident Chicago company has ever presented. For a pageant finale there was Respighi's new La Fiamma, with massive choruses, lavish orchestration, an impassioned, queer-grained heroine who is burned at the stake for indulging in witchcraft. The heroine was Soprano Rosa Raisa, bluff in acting, uneven in voice. But Raisa, a relic of Samuel Insull's opera days, was an ace compared with the majority of the singers who have appeared in Chicago this season.* La Fiamma was by & large the City Opera Company's most creditable production...
Last week President Karleton Hackett of the Chicago City Opera Company announced a five-week season to begin in November in the Civic Opera House. Top price: $3. President Hackett said negotiations had been opened with Bori, Lehmann, Pons, Maria Jeritza, Claudia Muzio, Rosa Raisa, Tito Schipa, Ezio Pinza, John Charles Thomas. The repertory will include the U. S. première of Respighi's La Fiamma, Puccini's La Rondine, Strauss's Der Rosenkavalier...